Pages that link to "Property:P6"
The following pages link to author (P6):
Displaying 50 items.
- Review of A Companion to Digital Literary Studies (Q2199) (← links)
- Reading Digital Literature: Surface, Data, Interaction, and Expressive Processing (Q2200) (← links)
- Intermediation: The Pursuit of a Vision (Q2201) (← links)
- A Response to Twelve Blue by Michael Joyce (Q2202) (← links)
- Don't Believe the Hype: Rereading Michael Joyce's Afternoon and Twelve Blue (Q2203) (← links)
- From Lexias to Remediation: Theories of Hypertext Authorship in the 1990s (Q2204) (← links)
- A Quick Buzz around the Universe of Electronic Poetry (Q2205) (← links)
- Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl (Q2206) (← links)
- E-Lit Works as 'Forms-of-Culture': Envisioning Digital Literary Subjectivity (Q2208) (← links)
- Reveal Codes: Hypertext and Performance (Q2210) (← links)
- "Of Dolls and Monsters": An Interview with Shelley Jackson (Q2211) (← links)
- Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis (Q2212) (← links)
- Stitch Bitch: the Patchwork Girl (Q2213) (← links)
- My Mother Was a Computer: Digital Subjects and Literary Texts (Q2214) (← links)
- False Pretenses, Parasites, and Monsters (Q2215) (← links)
- Scholarly Publishing of Hypertext, the Case of "The Victorian Web" (Q2216) (← links)
- Digital Poetics: The Making of E-Poetries (Q2217) (← links)
- These Waves of Memories: A Hyperfiction by Caitlin Fisher (Q2218) (← links)
- Narrative Motors (Q2219) (← links)
- The Unsatisfied Reading (Q2220) (← links)
- Speak, "Memory": Simulation and Satire in Reagan Library (Q2221) (← links)
- Digital Poetry Beyond the Metaphysics of 'Projective Saying' (Q2222) (← links)
- How to Read Words in Digital Literature (Q2223) (← links)
- Textual Material in the Digital Medium (Q2224) (← links)
- Preface [to Regards Croisés: Perspectives on Digital Literature] (Q2225) (← links)
- Editorial [on Regards Croisés: Perspectives on Digital Literature] (Q2226) (← links)
- From Papyrus to Hypertext: Toward the Universal Digital Library (Q2227) (← links)
- Review of From Papyrus to Hypertext: Toward the Universal Digital Library (Q2228) (← links)
- Letters That Matter: Electronic Literature Collection Vol 1 (Q2229) (← links)
- Christopher Strachey: The First Digital Artist? (Q2230) (← links)
- A Child's Game Confused (Q2231) (← links)
- Computer Lib: You can and must understand computers now / Dream Machines: New freedoms through computer screens—a minority report (Q2233) (← links)
- Stepping Into the River: Experiencing John Cayley's riverIsland (Q2234) (← links)
- Literary Hypertext: The Passing of the Golden Age (Q2235) (← links)
- Print Is Flat, Code Is Deep: Rethinking Signification in New Media (Q2236) (← links)
- Gamely Interstitial: Narrative, Excess, and Artifactual Interstanding (Q2237) (← links)
- The ppg256 Series of Minimal Poetry Generators (Q2238) (← links)
- Nordic electronic literature. Tradition, Archiving, and Cultural Valuation (Q2239) (← links)
- Når litteratur går fra papir til skjerm (Q2240) (← links)
- Elektronisk litteratur i Norden (Q2242) (← links)
- Polyaesthetics in Digital Literary Arts: Steve Tomasula's TOC and Multimedia Fiction (Q2243) (← links)
- Remediation: Understanding New Media (Q2248) (← links)
- The Moving Word: Towards the Theory of Web Literary Objects (Q2249) (← links)
- The Tradition of E-Lit Publishing in France (Q2250) (← links)
- A Subjective Chronology of Cybertext, Hypertext, and Electronic Writing (Q2251) (← links)
- "Uncle Roger", an Online Narrabase (Q2252) (← links)
- Electronic Literature Publishing and Distribution in Europe (Q2253) (← links)
- The Vinaròs Prize for Electronic Literature (Q2254) (← links)
- Editing the Electronic Literature Collection, Volume Two (Q2255) (← links)
- Netzliteratur.net and Edition Cyberfiction (Q2256) (← links)