Pages that link to "Property:P113"
The following pages link to author name string (P113):
Displaying 50 items.
- Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry (Q2403) (← links)
- The World Wide Future of Book Publishing (Q2408) (← links)
- Digital Gestures (Q2409) (← links)
- Poetics in the Expanded Field: Textual, Visual, Digital . . . (Q2410) (← links)
- Language Writing, Digital Poetics, and Transitional Materialities (Q2411) (← links)
- Poetic mediation across practices and institutions: Sailing with Pequod together with Poets and Interaction Designers (Q2415) (← links)
- Un laboratoire de littératures – Littérature numérique et Internet (Q2423) (← links)
- "I Am a Double Agent": Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext (Q2433) (← links)
- Digitale Literatur und Kunst: Blended Learning zu ästhetischen Prozessen in und mit Informatiksystemen (Q2439) (← links)
- Compte-rendu critique de l'oeuvre "Étang" de Alexandra Saemmer (Q2479) (← links)
- "Wo ist der Ort des Textes?" - Rainald Goetz' "Abfall für alle" (Q2485) (← links)
- Zeros and Ones: Digital Women and the New Cyberculture (Q2488) (← links)
- Mobilizing the Poli (Q2490) (← links)
- Hypertext: The Electronic Labyrinth (Q2502) (← links)
- Is e-literature just one big anti-climax? (Q2504) (← links)
- E-lit From a Librarian's Perspective (Q2507) (← links)
- Beyond the Book: François Bon and the Digital Transition (Q2508) (← links)
- Acoustic and Visual Imagination in Poetry from the Neo_Avantgarde to New Media Poetry in Yugoslav and Post-Yugoslav Poetry (Q2517) (← links)
- (Techno)dispositifs in Contemporary Art Practice: Fifty-year Theater Performance Noordung 1995-2045 by Dragan Živadinov (Q2530) (← links)
- Beyond Play and Narration: Video Games as Simulations of Self Action (Q2531) (← links)
- Responses to "On Reading 300 Works of Electronic Literature: Preliminary Reflections" (Q2533) (← links)
- Intercultural medium literature digital (Q2556) (← links)
- The Significance of Navigation and Interactivity Design for Readers’ Responses to Interactive Narrative (Q2571) (← links)
- New Media Art (Q2577) (← links)
- Who's in Charge Here? A Response to Shelley Jackson's Patchwork Girl (Q2631) (← links)
- The Endless Reading of Fiction: Stuart Moulthrop's Hypertext Novel Victory Garden (Q2643) (← links)
- Aesthetics and Literature: A Problematic Relation? (Q2656) (← links)
- Literaturgeschichte des Digitalmediums (Q2658) (← links)
- Writing with Images: Toward a Semiotics of the Web (Q2680) (← links)
- Internet Art (Q2683) (← links)
- Kenneth Goldsmith (Q2684) (← links)
- Megan Sapnar's "Car Wash" as a New Media Sonnet (Q2686) (← links)
- Virtual Narrations: From the crisis of storytelling to new narration as mental potentiality (Q2688) (← links)
- Reading, Writing, and Teaching Creative Hypertext: A Genre-Based Pedagogy (Q2691) (← links)
- Web 2.0 Storytelling: Emergence of a New Genre (Q2692) (← links)
- Writing as a Woman: Annie Abrahams' e-writing (Q2695) (← links)
- Hypernews and Coherence (Q2708) (← links)
- Learning From the Review Culture of Fan Fiction (Q2711) (← links)
- Learning from Science Fiction Criticism: Excessive Candour (Q2712) (← links)
- Massively Multireader: A Networked Teaching of House of Leaves across Five Classrooms (Q2757) (← links)
- Apresentação de Amor de Clarice (Q2762) (← links)
- Tekst.no (Q2811) (← links)
- BLOGS REMEDIATION TRANSMEDIALITY FROM DIGITAL TO PAPER TO EBOOK (Q2814) (← links)
- Technologies That Describe: Data Visualization and Contemporary Fiction (Q2824) (← links)
- Grammars for Generative Art (Part III) (Q2853) (← links)
- Electronic Poetics (Q2855) (← links)
- The Function of Digital Poetry at the Present Time (Q2856) (← links)
- Computer Poems (Q2864) (← links)
- Digital and Analog Texts (Q2865) (← links)
- Computers and Creativity (Q2872) (← links)