Pages that link to "Property:P29"
The following pages link to publication date (P29):
Displaying 50 items.
- Review: The Aesthetics of Net Literature (Q2462) (← links)
- How Interactive Can Fiction Be? (Q2463) (← links)
- Was bedeutet: Online lesen? Über die Möglichkeit des Archivs im Cyberspace (Q2464) (← links)
- Entwurf einer Hyperpoetik (Q2465) (← links)
- Text-Tänze, Anagramme und Adaptionen: Vorbereitungen für eine Ästhetik der Hypersysteme bei R. Roussel, H. Bellmer und O. Wiener (Q2466) (← links)
- Using Gowalla to Create a Historical Narrative (Q2467) (← links)
- Augmented Reality Fiction (Q2468) (← links)
- Six Problems in Search of a Solution: The Challenge of Cybertext Theory and Ludology to Literary Theory (Q2469) (← links)
- Aesthetics of Surface, Ephemeral and Re-Enchantment in Digital Literature: How Authors and Readers Deal with the Lability of the Electronic Device (Q2470) (← links)
- Lire la littérature numérique à l’université : deux situations pédagogiques (Q2471) (← links)
- De la confirmation à la subversion: Les figures d’animation face aux conventions du discours numérique (Q2472) (← links)
- Digital Literature—A Question of Style (Q2473) (← links)
- Digital Literature—In Search of a Discipline ? (Q2474) (← links)
- Kinetic Poetry (Q2475) (← links)
- Creativity Support for Computational Literature (Q2476) (← links)
- Born Digital: Writing Poetry in the Age of New Media (Q2477) (← links)
- Aesthetic Animism: Digital Poetry as Ontological Probe (Q2478) (← links)
- Compte-rendu critique de l'oeuvre "Étang" de Alexandra Saemmer (Q2479) (← links)
- Close Reading New Media: Analyzing Electronic Literature (Q2480) (← links)
- Playable Media and Textual Instruments (Q2481) (← links)
- Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext (Q2482) (← links)
- Formen interaktiver Medienkunst: Geschichte, Tendenzen, Utopien (Q2483) (← links)
- Kollaborative Schreibweisen - virtuelle Text- und Theorie-Arbeit: Schnittstellen für Interaktionen mit Texten im Netzwerk (Q2484) (← links)
- "Wo ist der Ort des Textes?" - Rainald Goetz' "Abfall für alle" (Q2485) (← links)
- Beyond the Screen (review) (Q2486) (← links)
- Archivability of Electronic Literature in Context (Q2487) (← links)
- Zeros and Ones: Digital Women and the New Cyberculture (Q2488) (← links)
- Dali Clocks: Time Dimensions of Hypermedia (Q2489) (← links)
- Mobilizing the Poli (Q2490) (← links)
- Line of Inquiry: Many Authors Explore Creative Computing Through a Short Program (Q2491) (← links)
- Curveship: An Interactive Fiction System for Interactive Narrating (Q2492) (← links)
- Third Hand Plays: An Introduction to Electronic Literature (Q2493) (← links)
- Artists' Books in the Digital Age (Q2494) (← links)
- After the Book: Writing Literature/Writing Technology (Q2495) (← links)
- Hypertext: Permeable skin (Q2496) (← links)
- The Grotesque Corpus (Q2497) (← links)
- After the Book? (Q2498) (← links)
- Gaps, Maps and Perception: What Hypertext Readers (Don't) Do (Q2499) (← links)
- Traveling in the Breakdown Lane: A Principle of Resistance for Hypertext (Q2500) (← links)
- Dissonance in Multi-Semiotic Landscapes in the Work Of Donna Leishman (Q2501) (← links)
- Hypertext: The Electronic Labyrinth (Q2502) (← links)
- The Institution of the Book: Why Shelley Jackson Doesn't Write Hypertext (Q2503) (← links)
- Is e-literature just one big anti-climax? (Q2504) (← links)
- Portuguese E-Lit Archive (Q2505) (← links)
- US Library E-Lit Archive Projects (Q2506) (← links)
- E-lit From a Librarian's Perspective (Q2507) (← links)
- Beyond the Book: François Bon and the Digital Transition (Q2508) (← links)
- Between Page and Screen: Remaking Literature Through Cinema and Cyberspace (Q2509) (← links)
- Navigating the Borders—Edges and Interfaces (Q2510) (← links)
- Involvement, Interruption, and Inevitability: Melancholy as an Aesthetic Principle in Game Narratives (Q2511) (← links)