Pages that link to "Property:P6"
The following pages link to author (P6):
Displaying 50 items.
- Strange Rain and the Poetics of Motion and Touch (Q2581) (← links)
- Seven Types of Interface in the Electronic Literature Collection Volume Two (Q2582) (← links)
- On the Art of Producing a Phenomenally Short Fiction Collection over the Net Using Twitter: ‘The 24-Hr. Micro-Elit Project (Q2583) (← links)
- E-Ject: On the Ephemeral Nature, Mechanisms, and Implications of Electronic Objects (Q2584) (← links)
- Visionary Landscapes: Literature on the Edge of Time and Space (Q2585) (← links)
- The Present [Future] of Electronic Literature (Q2586) (← links)
- What New Media Offers (Q2587) (← links)
- The Potential of Electronic Textuality (Q2589) (← links)
- The Role of Sound in Electronic Literature (Q2590) (← links)
- The Challenges of Hybrid Forms of Writing (Q2591) (← links)
- Off the Printed Page: Background and Theory about Electronic Literature (Q2592) (← links)
- Breath by Breath: An Interview with Kate Pullinger about ‘The Breathing Wall' (Q2593) (← links)
- Electronic Literature: Its Types and Some Examples (Q2594) (← links)
- Mutability, Medium and Character (Q2595) (← links)
- 'What Is Seen Depends Upon How Everybody Is Doing Everything': Using Hypertext to Teach Gertrude Stein's Tender Buttons (Q2596) (← links)
- The Loom and the Weaver: Hypertext and Homer's Odyssey (Q2597) (← links)
- Five Elements of Digital Literature (Q2598) (← links)
- Rhetorics of Media Coupling in the Digital Age (Q2599) (← links)
- The Literary in Network-Based Writing and Reading Practices (Q2601) (← links)
- Technopoetry in Argentina: Routes and Detours (Q2602) (← links)
- The Effects of Software on the Digital Creative Process (Q2603) (← links)
- Gestural Manipulation and Digital Poetics (Q2604) (← links)
- ELiterature Formalization and Pedagogical Implications (Q2605) (← links)
- Works, Works? Works! (Q2606) (← links)
- Towards a Practice/Theory on Digital Reading (Q2607) (← links)
- In the Event of Digital Text. Performativity and E-literature. (Q2608) (← links)
- Possiplex: Ted Nelson ’59 and the Literary Machine (Q2609) (← links)
- Analysing Digital Poetry: A Case Study (Q2610) (← links)
- Third Hand Plays: The Comedy of Subjection (Q2611) (← links)
- Third Hand Plays: The Comedy of Dysfunction (Q2612) (← links)
- Third Hand Plays: The Comedy of Reduction (Q2613) (← links)
- Third Hand Plays: The Comedy of Exhaustion (Q2614) (← links)
- Third Hand Plays: The Comedy of Recursion (Q2615) (← links)
- Third Hand Plays: The Comedy of Simulation (Q2616) (← links)
- Third Hand Plays: The Comedy of Duplication (Q2617) (← links)
- Third Hand Plays: The Comedy of Association (Q2618) (← links)
- Memory at work in Michael Joyce's afternoon, a story, Shelley Jackson's Patchwork Girl, and Mark Amerika's Grammatron (Q2619) (← links)
- Remediation as Passage. The example of the French poem Nouvelles Impressions d’Afrique by Raymond Roussel (Q2620) (← links)
- Digital readings. Reading through images and sound (Q2621) (← links)
- Third Hand Plays: The Comedy of Automation (Q2622) (← links)
- Third Hand Plays: The Comedy of Encryption (Q2623) (← links)
- Third Hand Plays: Putting it All Together, the" Comedy of Separation" (Q2624) (← links)
- Entre Ville: This City Between Us (Q2629) (← links)
- E-LITERATURE E NEW MEDIA ART _ LJUBLJANA (Q2630) (← links)
- A Cartography of the Aesthetics and Locality of Forgetting: Preliminary Remarks on Samuel Delany’s Dhalgren, Mark Amerika’s Hypertextual Consciousness [beta-version] and Christopher Nolan’s Memento (Q2636) (← links)
- Cyborg: Engineering the Body Electric (Q2637) (← links)
- The Lyrical Quality of Links (Q2639) (← links)
- “How Do I Stop This Thing?” Closure And Indeterminacy In Interactive Narratives (Q2640) (← links)
- ‘Trying to See the Garden’: Interdisciplinary Perspectives on Hypertext Use in Composition Instruction.” (Q2641) (← links)
- Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media (Q2642) (← links)