Pages that link to "Property:P31"
Appearance
The following pages link to official website (P31):
Displaying 50 items.
- Benchmark Fiction: A Framework for Comparative New Media Studes (Q2909) (← links)
- Digital Rhetoric and Poetics: Signifying Strategies in Electronic Literature (Q2912) (← links)
- Exe.cut[up]able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts (Q2922) (← links)
- charNG: case study of authoring a poetry generator (Q2925) (← links)
- Eight Digits of Digital Poetics (Q2926) (← links)
- Creating Screen-Based Multiple State Environments: Investigating Systems of Confutation (Q2927) (← links)
- Mez Interview (Q2928) (← links)
- Who Grabbed My Gorge (Q2929) (← links)
- Further notes on codework (Q2930) (← links)
- Ted Warnell (Q2931) (← links)
- Meditationer omkring et o ('Meditations around an o') (Q2932) (← links)
- A Box, Darkly: Obfuscation, Weird Languages, and Code Aesthetics (Q2933) (← links)
- Fiction and Interaction: How Clicking a Mouse Can Make You Part of a Fictional World (Q2935) (← links)
- Beyond Space Invaders (Q2937) (← links)
- Interactive Fiction (Q2939) (← links)
- Enlightening Interactive Fiction: Andrew Plotkin’s Shade (Q2940) (← links)
- Between the Visceral and the Virtual: Navigating the Embedded Surfaces of Shelley Jackson’s Patchwork Girl (Q2943) (← links)
- Pornosophic Philosophiction Coming Your Way’: interfacing with Mark Amerika’s GRAMMATRON (Q2944) (← links)
- Machinic Minds and Posthuman Bodies: the Complexities of Intimacy in Three Electronic Works by Shelley Jackson, Patchwork Girl, My Body & A Wunderkammer, and The Doll Games (Q2945) (← links)
- Interrupting D : Patchwork Girl’s Syncopated Body (Q2946) (← links)
- Shelley Jackson : femme-machine. L’imaginaire cyborg de Patchwork Girl (1995) et My Body & A Wunderkammer (1997) (Q2948) (← links)
- ‘Inept at reading : relationship’ - La relation hypertextuelle en question dans les Diagram Poems Series #3 de Jim Rosenberg (Q2949) (← links)
- Jim Rosenberg’s Diagram Poems Series #3: A Few Preliminary Notes on Translation Issues (Q2950) (← links)
- Bones of the Book (Q2954) (← links)
- Interview with Chris Funkhouser (Q2955) (← links)
- Interview with Ian Hatcher (Q2956) (← links)
- Where the Senses Become a Stage and Reading is Direction: Performing the Texts of Virtual Reality and Interactive Fiction (Q2958) (← links)
- Conversations with Poets about Technology (CAPTA) (Q2959) (← links)
- Pressing the ‘Reveal Code’ Key (Q2960) (← links)
- Conversations with Poets about Technology (CAPTA) Video Interview with J. R. Carpenter (Q2962) (← links)
- The Story of Meehan's Tale-Spin (Q2976) (← links)
- Primal Affective Ground and Digital Poetry (Q2978) (← links)
- text, time, typography (Q2979) (← links)
- Gathered, Not Made: A Brief History of Appropriative Writing (Q2980) (← links)
- Oulipo: a primer of potential literature (Q2981) (← links)
- image + narrative (Q2985) (← links)
- The Flash Community: Implications for Post-Conceptualism (Q2987) (← links)
- Interactive Fiction Communities: From Preservation through Promotion and Beyond (Q2988) (← links)
- A Short History of Electronic Literature and Communities in the Nordic Countries (Q2989) (← links)
- Developing an Identity for the Field of Electronic Literature: Reflections on the Electronic Literature Organization Archives (Q2990) (← links)
- Electronic Literature Seen from a Distance: The Beginnings of a Field (Q2991) (← links)
- From OULIPO to Transitoire Observable (Q2992) (← links)
- Dichtung Digital 41 (Q2993) (← links)
- Fuzzy Coherence: Making Sense of Continuity in Hypertext Narratives (Q3000) (← links)
- The Pleasure Principle: Immersion, Engagement, Flow (Q3002) (← links)
- Hypertext and Creative Writing (Q3010) (← links)
- Feral Hypertext: When Hypertext Literature Escapes Control (Q3011) (← links)
- The Cape: The Backstory (Q3015) (← links)
- New Media Writing Forum (Q3016) (← links)
- Where Are We Now?: Orienteering in the Electronic Literature Collection, Volume 2 (Q3018) (← links)