Pages that link to "Property:P29"
The following pages link to publication date (P29):
Displaying 50 items.
- The Exquisite Corpus: Issues in Electronic Literature (Q4270) (← links)
- The "Research and Creation" Approach in Digital Literature (Q4271) (← links)
- Post-digital Books and Disruptive Literary Machines (Q4272) (← links)
- Une “poésie numérique”? Khlebnikov et Jakobson, Marinetti, Schwitters, Kostelanetz (Q4273) (← links)
- The Marketization of Net Art (Q4274) (← links)
- Controlled Consumption Interfaces - When digital culture becomes software business (Q4275) (← links)
- The Rustle of Language (Q4276) (← links)
- The Awareness of the Power of the Tool: the Author and his Practices (Q4277) (← links)
- A Humument app by Tom Phillips as a work of liberature: between text and embodiment (Q4278) (← links)
- Speaking code : coding as aesthetic and political expression (Q4279) (← links)
- E-Literature and New Media Art (Q4281) (← links)
- Poetics in Digital Communities and in Digital Literature (Q4282) (← links)
- Electronic Literature Communities (Q4283) (← links)
- Electronic Literature with/in Performance (Q4284) (← links)
- Manuel Portela and Rui Torres on the Portuguese E-Lit Collection at ELMCIP.net (Q4285) (← links)
- ELMCIP Anthology of European Electronic Literature (Report) (Q4286) (← links)
- The late age of print : everyday book culture from consumerism to control (Q4287) (← links)
- Hyperstitial Poetics of Network Media (Q4288) (← links)
- Ethnographies of Co-Creation and Collaboration as Models of Creativity (Q4289) (← links)
- The ELMCIP Electronic Literature Knowledge Base: Project Report (Q4290) (← links)
- The Functional Point of View: New Artistic Forms for Programmed Literary Works (Q4291) (← links)
- Preservation of Digital Literature: From Stored to Reinvented Memory (Q4292) (← links)
- The Digital Subject: Questioning Hypermnesia (Q4293) (← links)
- From Traces to Collective Memory: Databases and the Development of the Field of Electronic Literature (Q4294) (← links)
- Electronic Literature as Cultural Heritage (Confessions of an Incunk) (Q4295) (← links)
- Autoauthor, Autotext, Autoreader: The Poem as Self-assembled Database (Q4296) (← links)
- Эволюция от кутюр. Искусство и наука в эпоху постбиологии. (Q4297) (← links)
- Lineages of German-language Electronic Literature: the Döhl Line (Q4298) (← links)
- Reader/Readers (Q4299) (← links)
- Writing Under: Selections From the Internet Text (Q4300) (← links)
- Approche du rôle de la mémoire dans la conception et la réception de quelques oeuvres en littérature numérique (Q4301) (← links)
- Electronic Literature (Q4302) (← links)
- Collaborative Narrative (Q4303) (← links)
- Make or Break? Concerning the Value of Redundancy as a Creative Strategy (Q4304) (← links)
- Picking up the Pieces: History and Memory in European Digital Literature (Q4305) (← links)
- Don't Lurk Too Long: Art and Creativity in a Digital Community (Q4306) (← links)
- On Polish Translation of Sea and Spar Between (Q4307) (← links)
- Jag är dikt. Vi är litteratur tillsammans (Q4308) (← links)
- Reading Processes: Groundwork for Software Studies (Q4309) (← links)
- Thresholds of the Edge: Rethinking the Concepts of Books and Access in the Age of the Digital Paratext (Q4310) (← links)
- What I See and What You Read: A Narrative of Interdisciplinary Research on a Common Digital Object (Q4311) (← links)
- Videopoetry (Q4312) (← links)
- Code Poetry (Q4313) (← links)
- Poética dos Meios e Arte High Tech (Q4315) (← links)
- A Vanguard Projected in Motion: Early Kinetic Poetry in Portuguese (Q4316) (← links)
- Animated Concrete Poetry Between Stillness and Motion - a Close-Up on Ottar Ormstad's Oeuvre of Works (Q4317) (← links)
- Abstract Language #2: ottar ormstad’s bokstavteppekatalogen (Q4318) (← links)
- Digitalität und Literarität: Zur Zukunft der Literatur (Q4319) (← links)
- Gibt es 'Digitale Bibliotheken'? Wird es sie jemals geben? Zu den Grenzen einer allzu populären Metapher (Q4320) (← links)
- Performing Assemblages of Collective Enunciation in 'The Broadside of a Yarn' (Q4321) (← links)