Pages that link to "Property:P3"
The following pages link to Wikidata entity identifier (P3):
Displaying 50 items.
- Spatial Relationships, Cosmopolitanism and Musico-Literary Miscegenation in the New Media Work of austraLYSIS (Q6484) (← links)
- “Textual variability in new media poetry”, in Multiformalisms: Postmodern Poetics of Form pp. 485-516 (Q6485) (← links)
- Grappling With the Actual: Writing on the Periphery of the Real (Q6486) (← links)
- Mapping Place / Troubling Space (Q6487) (← links)
- Rebooting Electronic Literature: Documenting Pre-Web Born Digital Media Volume 4 (Q6488) (← links)
- Twilight, A Symphony: The Great Lost Work of Michael Joyce (Q6489) (← links)
- Hypertext Town: Marble Springs by Deena Larsen (Q6490) (← links)
- Affect, Emotion and Sensation in New Media Writing: The Work of John Cayley, MD Coverlry and Jason Nelson in Literature and Sensation, Cambridge Scholars Publishing (Q6491) (← links)
- Una nueva colección de literatura electrónica en lengua española en la web de ELMCIP (Q6492) (← links)
- Hypertext Lake: Carolyn Guyer’s Quibbling or Lessons in Hypertext Reading (Q6493) (← links)
- Reformers vs Capitalists: Hypertext and Simulation in The Election of 1912 (Q6494) (← links)
- A Sucker in Spades & Transitional Media (Q6495) (← links)
- A Sucker in Spades––Hardboiled Text Game of Robert DiChiara (Q6496) (← links)
- Under the Parable. Hypertext and Trauma in Genetis: A Rhizography (Q6497) (← links)
- Like a Dog Chasing its Tail (Q6498) (← links)
- 'Into an alien ocean:' The Lore of Kathy Mac’s Unnatural Habitats (Q6499) (← links)
- Storyspace Estranged: Kathy Mac’s Unnatural Habitats (Q6500) (← links)
- Pre-web Digital Publishing and the Lore of Electronic Literature (Q6501) (← links)
- "What hypertexts can do that print narratives cannot" (Q6502) (← links)
- "Do you want to hear about it?' Exploring possible worlds in Michael Joyce's hyperfiction, afternoon, a story" (Q6503) (← links)
- Contemporary Stylistics (Q6504) (← links)
- "Toward a Theory of Hypertextual Design" (Q6505) (← links)
- Narrative Beginnings: Theories and Practices (Q6506) (← links)
- “Where to begin? Multiple narrative paths in web fiction” (Q6507) (← links)
- "A Case Study in the Design of Interactive Narrative: The Subversion of the Interface" (Q6508) (← links)
- "Schema theory and hypertext fiction" (Q6509) (← links)
- Metalepsis in Popular Culture (Q6510) (← links)
- Des figures de manipulation dans la création numérique (Q6511) (← links)
- Metareference across Media: Theory and Case Studies (Q6512) (← links)
- Stories and Social Media: Identities and Interaction (Q6513) (← links)
- Figures of Gestural Manipulation in Digital Fictions (Q6514) (← links)
- The Designer's Notebook: Three Problems for Interactive Storytellers, Resolved (Q6515) (← links)
- Hyperfiction as a Medium for Drifting Times: A Close Reading of the German Hyperfiction Zeit für die Bombe (Q6516) (← links)
- The Democratic Genre: Fan Fiction in a Literary Context (Q6517) (← links)
- Reading Digital Fiction: From Hypertext to Timeline (Q6518) (← links)
- Hamlet on the Holodeck, Updated Edition (Q6519) (← links)
- Videogames and Art (Q6520) (← links)
- Will Computer Games Ever Be a Legitimate Art Form? (Q6521) (← links)
- The impact of hypertext on processes of reading and writing (Q6522) (← links)
- From Theorizing to Analyzing Digital Fiction (Q6523) (← links)
- Media-Specific Metalepsis in 10:01 (Q6524) (← links)
- Digital Fiction and Worlds of Perspective (Q6525) (← links)
- What Is Fanfiction and Why Are People Saying Such Nice Things about It? (Q6526) (← links)
- Playing with rather than by the Rules: Metaludicity, Allusive Fallacy and Illusory Agency in The Path. (Q6527) (← links)
- Routledge interdisciplinary perspectives on literature (Q6528) (← links)
- Routledge studies in new media and cyberculture (Q6529) (← links)
- Routledge research in cultural and media studies (Q6530) (← links)
- Paper Machine (Q6531) (← links)
- Ästhetik und Technik. Literaturprojekte der Semiosphäre (Q6532) (← links)
- The rhetoric of interactive art works (Q6533) (← links)