Pages that link to "Property:P2"
The following pages link to ELMCIP ID (P2):
Displaying 50 items.
- About Some Programmed Forms in Digital Poetry (Q2072) (← links)
- Filiations and History of Digital Literature in France (Q2073) (← links)
- Variability and Intermediality as Challenges to Preservation Issues: Reflections about the Design and Implementation of Digital Archives (Q2074) (← links)
- E-Literature vs. E-poetry (Q2075) (← links)
- Aspects of Experiencing Poetry in Digital Media (Q2076) (← links)
- Translating Digital Literature. The Example of “I’m simply saying” (Q2077) (← links)
- Biopoetry (Q2078) (← links)
- The Aesthetics of Net Literature: Writing, Reading and Playing in Programmable Media (Q2079) (← links)
- The ELMCIP Knowledge Base and the Formation of an International Field of Literary Scholarship and Practice (Q2080) (← links)
- The Experience of the Unique in Reading Digital Literature (Q2081) (← links)
- Text as Virtual Reality (Techno-Aesthetics and Web-Literatures) (Q2082) (← links)
- Hypertext Fiction in the Twilight Zone (Q2083) (← links)
- Teaching Narrative Theory (Q2084) (← links)
- Digital Media (Q2085) (← links)
- Toward a Semiotic Critique of Computer Poetry (Q2086) (← links)
- Editorial Process and the Idea of Genre in Electronic Literature in the Electronic Literature Collection, Volume 1 (Q2087) (← links)
- From Mimetic to Cybernetic (Q2088) (← links)
- Orality Writing Vision (Q2089) (← links)
- Holopoetry, Biopoetry and Digital Literature: Close Reading and Terminological Debates (Q2090) (← links)
- Reading Moving Letters: Digital Literature in Research and Teaching (Q2091) (← links)
- Patterns of Hypertext (Q2092) (← links)
- Hamlet on the Holodeck: The Future of Narrative in Cyberspace (Q2093) (← links)
- Writing at the Edge (Q2094) (← links)
- The End of Books (Q2095) (← links)
- First Person: New Media as Story, Performance and Game (Q2096) (← links)
- How I Was Played by Online Caroline (Q2097) (← links)
- Choice vs. Interaction: the Case of Online Caroline (Q2098) (← links)
- Semantisation, Exploration, Self-reflection and Absorption: Our Modes of Reading Hypertext Fiction (Q2099) (← links)
- Toward an Ontology of the Field of Digital Poetry (Q2100) (← links)
- The Aesthetics of Materiality in Electronic Literature (Q2101) (← links)
- E-poetry: the Palpable Side of Signs (Q2102) (← links)
- Electronic Literature Without a Map (Q2103) (← links)
- Junction of Image, Text, and Sound in Net.fictions (Q2104) (← links)
- Bridging Intertextuality and Intermediality from a Cultural and Literary Perspective (Q2105) (← links)
- Polish Way to E-Literature from Baroque to 21st Century (Q2106) (← links)
- New Media Literary: Hypertextual, Cybertextual, and Networked (Q2107) (← links)
- Hypertext and bigos: On esthetic categories of modern and post-modern Polish fiction that may help us describe electronic literature in yet another way (Q2108) (← links)
- Teaching Digital Literature within a “Research and Teaching Partnership” in a Transatlantic Blended Learning Environment (Q2109) (← links)
- Some stylistic devices on media interface (Q2110) (← links)
- Intertextuality in Digital Poetry (Q2111) (← links)
- Littérature numérique: le récit interactif (Q2112) (← links)
- Matières textuelles sur support numérique (Q2113) (← links)
- E-Formes 1 : Ecritures visuelles sur support numérique (Q2114) (← links)
- Literary Art in Digital Performance: Case Studies in New Media Art and Criticism (Q2115) (← links)
- Introduction: Juncture and Form in New Media Criticism (Q2116) (← links)
- What is and Toward What End Do We Read Digital Literature? (Q2117) (← links)
- List(en)ing Post (Q2118) (← links)
- Strickland and Lawson Jarmillo's slippingglimpse: Distributed Cognition at/in Work (Q2119) (← links)
- Reading the Discursive Spaces of Text Rain, Transmodally (Q2120) (← links)
- Kissing the Steak: The Poetry of Text Generators (Q2121) (← links)