Pages that link to "Property:P120"
The following pages link to cites work (P120):
Displaying 50 items.
- Kinetic Poetry (Q2475) (← links)
- Creativity Support for Computational Literature (Q2476) (← links)
- Born Digital: Writing Poetry in the Age of New Media (Q2477) (← links)
- Compte-rendu critique de l'oeuvre "Étang" de Alexandra Saemmer (Q2479) (← links)
- Playable Media and Textual Instruments (Q2481) (← links)
- Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext (Q2482) (← links)
- Beyond the Screen (review) (Q2486) (← links)
- Dali Clocks: Time Dimensions of Hypermedia (Q2489) (← links)
- Mobilizing the Poli (Q2490) (← links)
- Third Hand Plays: An Introduction to Electronic Literature (Q2493) (← links)
- Artists' Books in the Digital Age (Q2494) (← links)
- Gaps, Maps and Perception: What Hypertext Readers (Don't) Do (Q2499) (← links)
- Traveling in the Breakdown Lane: A Principle of Resistance for Hypertext (Q2500) (← links)
- Dissonance in Multi-Semiotic Landscapes in the Work Of Donna Leishman (Q2501) (← links)
- Portuguese E-Lit Archive (Q2505) (← links)
- Beyond the Book: François Bon and the Digital Transition (Q2508) (← links)
- Textmaschinen- Kinetische Poesie- Interaktive Installation: Studien zu einer Hermeneutik digitaler Kunst (Q2512) (← links)
- Reflections on the iconicity of digital texts (Q2513) (← links)
- Code, Interpretation, Avant-garde (Q2514) (← links)
- Is There a Message in the Medium? The Materiality of Language (Q2525) (← links)
- Comparative Analysis of the Cyberfeminist Hyperfiction and New Media Art work: Francesca da Rimini’s Dollspace (Q2526) (← links)
- The Four Corners of the E-lit world. Textual Instruments, Operational Logics, Wetware Studies and Cybertext Poetics (Q2527) (← links)
- Poetry Confronting Digital Media (Q2529) (← links)
- On Reading 300 Works of Electronic Literature: Preliminary Reflections (Q2532) (← links)
- Responses to "On Reading 300 Works of Electronic Literature: Preliminary Reflections" (Q2533) (← links)
- From ‘words, words, words’ to ‘birds, birds, birds’: Literature between the representation and the presentation (Q2534) (← links)
- Following Paths of Electronic Literature (Q2536) (← links)
- Cybertext Killed the Hypertext Star (Q2538) (← links)
- An Ornithology of Net Art (Q2545) (← links)
- Writing Space: The Computer, Hypertext, and the History of Writing (Q2546) (← links)
- Hyperfiction: Novels for the Computer (Q2547) (← links)
- Bust Down the Door! (Q2548) (← links)
- The Genealogy of a Creative Community: Why is Afternoon the "Grandaddy" of Hypertext Fiction? (Q2555) (← links)
- Intercultural medium literature digital (Q2556) (← links)
- Anthological and Archaeological Approaches to Digital Media: A Review of Electronic Literature and Prehistoric Digital Poetry (Q2559) (← links)
- Mechanisms: New Media and the Forensic Imagination (Q2560) (← links)
- At the Time of Writing: Digital Media, Gesture and Handwriting (Q2561) (← links)
- Towards a Multimodal Analysis of da Rimini's Dollspace (Q2567) (← links)
- Making Sense of the Digital as Embodied Experience (Q2568) (← links)
- A Poem Is a Machine to Think With: Digital Poetry and the Paradox of Innovation (Q2570) (← links)
- Reversed Remediation. How Art Can Make One critically Aware of the Workings of Media (Q2572) (← links)
- Basquiat meets Mario Brothers? Digital poet Jason Nelson on the meaning of art games (Q2574) (← links)
- "Distance, Homelessness, Anonymity, and Insignificance": An Interview with Young-Hae Chang Heavy Industries (Q2575) (← links)
- New Media Art (Q2577) (← links)
- Reading the Code between the Words: The Role of Translation in Young-hae Chang Heavy Industries’s Nippon (Q2578) (← links)
- The Digital Poem against the Interface Free (Q2579) (← links)
- Early Authors of E-Literature, Platforms of the Past (Q2580) (← links)
- Strange Rain and the Poetics of Motion and Touch (Q2581) (← links)
- Mutability, Medium and Character (Q2595) (← links)
- Five Elements of Digital Literature (Q2598) (← links)