Pages that link to "Property:P3"
Appearance
The following pages link to Wikidata entity identifier (P3):
Displaying 50 items.
- Electronic Literature: Its Types and Some Examples (Q2594) (← links)
- Mutability, Medium and Character (Q2595) (← links)
- 'What Is Seen Depends Upon How Everybody Is Doing Everything': Using Hypertext to Teach Gertrude Stein's Tender Buttons (Q2596) (← links)
- The Loom and the Weaver: Hypertext and Homer's Odyssey (Q2597) (← links)
- Five Elements of Digital Literature (Q2598) (← links)
- Rhetorics of Media Coupling in the Digital Age (Q2599) (← links)
- Memory Bytes (Q2600) (← links)
- The Literary in Network-Based Writing and Reading Practices (Q2601) (← links)
- Technopoetry in Argentina: Routes and Detours (Q2602) (← links)
- The Effects of Software on the Digital Creative Process (Q2603) (← links)
- Gestural Manipulation and Digital Poetics (Q2604) (← links)
- ELiterature Formalization and Pedagogical Implications (Q2605) (← links)
- Works, Works? Works! (Q2606) (← links)
- Towards a Practice/Theory on Digital Reading (Q2607) (← links)
- In the Event of Digital Text. Performativity and E-literature. (Q2608) (← links)
- Possiplex: Ted Nelson ’59 and the Literary Machine (Q2609) (← links)
- Analysing Digital Poetry: A Case Study (Q2610) (← links)
- Third Hand Plays: The Comedy of Subjection (Q2611) (← links)
- Third Hand Plays: The Comedy of Dysfunction (Q2612) (← links)
- Third Hand Plays: The Comedy of Reduction (Q2613) (← links)
- Third Hand Plays: The Comedy of Exhaustion (Q2614) (← links)
- Third Hand Plays: The Comedy of Recursion (Q2615) (← links)
- Third Hand Plays: The Comedy of Simulation (Q2616) (← links)
- Third Hand Plays: The Comedy of Duplication (Q2617) (← links)
- Third Hand Plays: The Comedy of Association (Q2618) (← links)
- Memory at work in Michael Joyce's afternoon, a story, Shelley Jackson's Patchwork Girl, and Mark Amerika's Grammatron (Q2619) (← links)
- Remediation as Passage. The example of the French poem Nouvelles Impressions d’Afrique by Raymond Roussel (Q2620) (← links)
- Digital readings. Reading through images and sound (Q2621) (← links)
- Third Hand Plays: The Comedy of Automation (Q2622) (← links)
- Third Hand Plays: The Comedy of Encryption (Q2623) (← links)
- Third Hand Plays: Putting it All Together, the" Comedy of Separation" (Q2624) (← links)
- The New River (Spring 2011) (Q2625) (← links)
- The New River 1 (Q2626) (← links)
- The New River 2 (Q2627) (← links)
- The New River 3 (Q2628) (← links)
- Entre Ville: This City Between Us (Q2629) (← links)
- E-LITERATURE E NEW MEDIA ART _ LJUBLJANA (Q2630) (← links)
- Who's in Charge Here? A Response to Shelley Jackson's Patchwork Girl (Q2631) (← links)
- The New River 4 (Q2632) (← links)
- The New River 5 (Q2633) (← links)
- The New River 6 (Q2634) (← links)
- New Narratives: Stories and Storytelling in the Digital Age (Q2635) (← links)
- A Cartography of the Aesthetics and Locality of Forgetting: Preliminary Remarks on Samuel Delany’s Dhalgren, Mark Amerika’s Hypertextual Consciousness [beta-version] and Christopher Nolan’s Memento (Q2636) (← links)
- Cyborg: Engineering the Body Electric (Q2637) (← links)
- Reading Hypertext (Q2638) (← links)
- The Lyrical Quality of Links (Q2639) (← links)
- “How Do I Stop This Thing?” Closure And Indeterminacy In Interactive Narratives (Q2640) (← links)
- ‘Trying to See the Garden’: Interdisciplinary Perspectives on Hypertext Use in Composition Instruction.” (Q2641) (← links)
- Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media (Q2642) (← links)
- The Endless Reading of Fiction: Stuart Moulthrop's Hypertext Novel Victory Garden (Q2643) (← links)