Long pages

Showing below up to 50 results in range #1,651 to #1,700.

(hist) Output: An Anthology of Computer-Generated Text, 1953–2023 [1,288 bytes]
(hist) Do Not Forget It [1,288 bytes]
(hist) A Vernacular Web [1,286 bytes]
(hist) Shiineui Bang (Poet's room) [1,286 bytes]
(hist) Floating With Spirits [1,286 bytes]
(hist) Sniff jazzbox.audible city [1,286 bytes]
(hist) Absurd in Public [1,286 bytes]
(hist) The Database, the Interface, and the Hypertext: A Reading of Strickland's V [1,285 bytes]
(hist) Composition No. 1 [1,285 bytes]
(hist) Reality Media [1,282 bytes]
(hist) Un laboratoire de littératures – Littérature numérique et Internet [1,282 bytes]
(hist) Elektronska literatura in nove družbene paradigme [1,279 bytes]
(hist) POX: Save the people [1,279 bytes]
(hist) Rendezvous: A Collaboration Between Art, Research and Communities [1,277 bytes]
(hist) Between Page and Screen [1,276 bytes]
(hist) Getting Started in the Digital Humanities Panel Discussion (ELMCIP) [1,275 bytes]
(hist) Geology of Media [1,274 bytes]
(hist) Looking Back while Moving Forward: The Case of Concrete Poetry and Sankofa [1,273 bytes]
(hist) Electronic literature or digital art? And where are all the challenging hypertextual novels? [1,273 bytes]
(hist) Eroica: A Hypermedia Fiction [1,273 bytes]
(hist) ? echo THE SIGNIFIER ? [1,273 bytes]
(hist) Nomen Sacrum Trial [1,272 bytes]
(hist) Electronic Literature: New Horizons for the Literary [1,271 bytes]
(hist) MiddleEnglishLem [1,271 bytes]
(hist) Digital Scherenschnitte / Video Compositing with Cut-ups and Collage [1,270 bytes]
(hist) Out of Place: Digital In-Grouping [1,270 bytes]
(hist) Not a Book: Locating Material Traces of Collaborative Print and Digital Technologies in the Archive [1,269 bytes]
(hist) A.I. Seems to Be a Verb [1,269 bytes]
(hist) 500 Apocalypses [1,269 bytes]
(hist) Canonizing Hypertext: Explorations and Constructions [1,268 bytes]
(hist) Des arts-réseaux aux dérives programmées : actualité de "l'art comme expérience [1,266 bytes]
(hist) Internet Literature in China [1,266 bytes]
(hist) A Change in the Weather [1,264 bytes]
(hist) 'I know what it was. You know what it was': Second Person Narration in Hypertext Fiction [1,263 bytes]
(hist) Stéphane Mallarmé's The Conversation [1,262 bytes]
(hist) The Set of U / La Série des U [1,262 bytes]
(hist) Conceptual art: a critical anthology [1,261 bytes]
(hist) Developing a Choice-Based Digital Fiction for Body Image Bibliotherapy [1,258 bytes]
(hist) Making Sense of the Digital as Embodied Experience [1,258 bytes]
(hist) The Need for Multi-Aspectual Representation of Narratives in Modelling their Creative Process [1,256 bytes]
(hist) PO.EX '70-80: The Electronic Multimodal Repository [1,256 bytes]
(hist) A Creative History of the Russian Internet [1,255 bytes]
(hist) Writing Space: The Computer, Hypertext, and the History of Writing [1,255 bytes]
(hist) “hearing litoral voices / bearing literal traces”: Subliteral Narratives [1,255 bytes]
(hist) Negative Confessions [1,254 bytes]
(hist) Speak, Pen [1,254 bytes]
(hist) Lyric Economy [1,253 bytes]
(hist) Critical Terms for Media Studies [1,251 bytes]
(hist) Mapping out Spaces for E-Lit Criticism [1,251 bytes]
(hist) Walking, Haunting, and Affirmative Aesthetics: The Case of Women without Men [1,250 bytes]