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Showing below up to 50 results in range #2,151 to #2,200.
- The Legend of Zelda: Ocarina of Time (19:47, 12 March 2026)
- Uncharted: Drakes Fortune (19:47, 12 March 2026)
- Star Wars: Knights of the Old Republic (19:47, 12 March 2026)
- BOOK OF A HUNDRED GHOSTS (19:47, 12 March 2026)
- A Plague Tale: Innocence (19:47, 12 March 2026)
- Puzzle Agent 2 (19:47, 12 March 2026)
- Poem.py : a critique of linguistic capitalism (19:47, 12 March 2026)
- Greetings from… (19:47, 12 March 2026)
- FALSE WORDS 流/言 (19:47, 12 March 2026)
- Kulaktan kulağa, Chinese whispers, or Arabic telephone (19:47, 12 March 2026)
- Texts, Interfaces, and the Puzzle Element in Her Story (19:47, 12 March 2026)
- The Aesthetics of Feminist Digital Archiving in the Suffrage Postcard Project (19:47, 12 March 2026)
- Has Been Hero (19:47, 12 March 2026)
- Wired Monkeys (19:48, 12 March 2026)
- Blister Skin (19:48, 12 March 2026)
- Sound Spheres (19:48, 12 March 2026)
- Las Barricadas Misteriosas (19:48, 12 March 2026)
- Eldorado, Iraq 2017 (Iraqi soundscape 2012-2013) (19:48, 12 March 2026)
- Fragile Pulse: A Meditation App (19:48, 12 March 2026)
- Margins of History (19:48, 12 March 2026)
- The Text That Talks Back (19:48, 12 March 2026)
- Dairbhre: One Walk (19:48, 12 March 2026)
- The Deer (19:48, 12 March 2026)
- I am not listening (19:48, 12 March 2026)
- “hearing litoral voices / bearing literal traces”: Subliteral Narratives (19:48, 12 March 2026)
- River Writer VR (19:48, 12 March 2026)
- Diamonds in Dystopia: container & tool (19:48, 12 March 2026)
- Seedlings (19:48, 12 March 2026)
- Polish “aesthetics”: Vaporwave outside the center (19:48, 12 March 2026)
- Legends of Michigami: Riding the Rust Belt (19:48, 12 March 2026)
- From the cafè to tweet: digital Literature as global literature. Positioning of digital literature in Spanish. (19:48, 12 March 2026)
- Grip’s Evermore and Other (Word) Landscapes (19:48, 12 March 2026)
- As it correlates to virtuality (19:48, 12 March 2026)
- Boys and their Brains: Neuro(a)typicality and Gamer Masculinity (19:48, 12 March 2026)
- Next Generation: On the Verge of Electronic Poetry but not quite. The Case of Women Poets in Spain. (19:48, 12 March 2026)
- Writing for Vast Interactive Spaces (19:48, 12 March 2026)
- Tendar (19:48, 12 March 2026)
- Riveted, Structures, Lands (19:48, 12 March 2026)
- You - Who? Customised Cinema Installation (19:48, 12 March 2026)
- Concrete Poetry as Vehicle for Exploring Digital Materiality (19:48, 12 March 2026)
- Option drag (19:48, 12 March 2026)
- Emblem/as (19:48, 12 March 2026)
- Interspecies and Random/Electronic-Poetry. From “Black on Sheep” (Bovine poem) to “Robot-poem@s” (19:48, 12 March 2026)
- Always Tomorrow (19:48, 12 March 2026)
- Culprit (19:48, 12 March 2026)
- Tale of a Great Sham(e Text) (19:48, 12 March 2026)
- Illusion of Gaia (19:48, 12 March 2026)
- Subway (19:48, 12 March 2026)
- Gridworks (19:48, 12 March 2026)
- Cicatrix (19:48, 12 March 2026)