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Showing below up to 50 results in range #2,651 to #2,700.

New Media Poetics: Contexts, Technotexts, and Theories (18:57, 13 March 2026)
Hypertext Fiction from 1987-1999 (18:57, 13 March 2026)
Libre Culture: Meditations on Free Culture (18:57, 13 March 2026)
Ping Poetics (18:57, 13 March 2026)
Aesthetics of Visual Noise in Digital Literary Arts (18:57, 13 March 2026)
Digital Literature in France (conference presentation) (18:57, 13 March 2026)
From ALAMO to Transitoire Observable: evolution of the French digital literature (18:57, 13 March 2026)
The International Interactive Fiction Community (18:57, 13 March 2026)
The Poetry Beyond Text Project (18:57, 13 March 2026)
Case Studies in American Creative Communities (18:57, 13 March 2026)
Supercritical Creativity (18:58, 13 March 2026)
Catalonian Electronic Literature Communities (18:58, 13 March 2026)
The ELO and US Electronic Literature in the 2000s (18:58, 13 March 2026)
Scandinavian Electronic Literature and Communities (18:58, 13 March 2026)
Electronic Literature Publishing in Europe: Sample Cases from Finland (18:58, 13 March 2026)
Electronic Literature Publishing in Europe: Sample Cases from Italy (18:58, 13 March 2026)
Discussion of processes and issues for ELMCIP anthology (18:58, 13 March 2026)
Genre, Form, and Cultural Practice in Contemporary Electronic Literature (18:58, 13 March 2026)
Vers de nouvelles formes en poésie numérique programmée? (18:58, 13 March 2026)
Electronic Literature as World Literature; or, The Universality of Writing under Constraint (18:58, 13 March 2026)
The New Media Reader (18:58, 13 March 2026)
What is "The Asian Tower"? (18:58, 13 March 2026)
Digital Arts and Literature – Is it Just a Game? (18:58, 13 March 2026)
From Oral Poetry to Tridimensional Poetry (18:58, 13 March 2026)
Video Ergo Sum: Video as Symbolic Form (18:58, 13 March 2026)
A Short History of Electronic Poetry (18:58, 13 March 2026)
ELiterature: Literature in the Digital Era. Definition, Concept and Status (18:58, 13 March 2026)
The Virtual and The Virtuous (18:58, 13 March 2026)
E-Art: Fragmentation and Assembling (18:58, 13 March 2026)
The Textual Whole and its Vicissitudes in Digital and Ergodic Literature (18:58, 13 March 2026)
About Some Programmed Forms in Digital Poetry (18:58, 13 March 2026)
Filiations and History of Digital Literature in France (18:58, 13 March 2026)
Variability and Intermediality as Challenges to Preservation Issues: Reflections about the Design and Implementation of Digital Archives (18:58, 13 March 2026)
Aspects of Experiencing Poetry in Digital Media (18:58, 13 March 2026)
Translating Digital Literature. The Example of “I’m simply saying” (18:58, 13 March 2026)
Biopoetry (18:58, 13 March 2026)
The Aesthetics of Net Literature: Writing, Reading and Playing in Programmable Media (18:58, 13 March 2026)
The ELMCIP Knowledge Base and the Formation of an International Field of Literary Scholarship and Practice (18:58, 13 March 2026)
The Experience of the Unique in Reading Digital Literature (18:58, 13 March 2026)
Hypertext Fiction in the Twilight Zone (18:58, 13 March 2026)
Digital Media (18:58, 13 March 2026)
Editorial Process and the Idea of Genre in Electronic Literature in the Electronic Literature Collection, Volume 1 (18:58, 13 March 2026)
Reading Moving Letters: Digital Literature in Research and Teaching (18:58, 13 March 2026)
Patterns of Hypertext (18:58, 13 March 2026)
Hamlet on the Holodeck: The Future of Narrative in Cyberspace (18:58, 13 March 2026)
The End of Books (18:58, 13 March 2026)
Piecing Together and Tearing Apart: Finding the Story in afternoon (18:58, 13 March 2026)
First Person: New Media as Story, Performance and Game (18:59, 13 March 2026)
Choice vs. Interaction: the Case of Online Caroline (18:59, 13 March 2026)
Semantisation, Exploration, Self-reflection and Absorption: Our Modes of Reading Hypertext Fiction (18:59, 13 March 2026)