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Showing below up to 50 results in range #4,001 to #4,050.
- Artificial Intelligence and Games (Q6764)
- Storytelling with virtual reality in 360-degrees: a new screen grammar (Q6763)
- Dawn of the new everything: encounters with reality and virtual reality (Q6762)
- Reality Media (Q6761)
- Virtual reality cinema: narrative tips and techniques (Q6760)
- Virtual Reality (Q6759)
- Storytelling for virtual reality: methods and principles for crafting immersive narratives (Q6758)
- Computer as co-author: Creative Writing & artificial intelligence (Q6757)
- My Life as an Artificial Creative Intelligence (Q6756)
- A review of My Life as an Artificial Creative Intelligence (Q6755)
- Traversing Language, the Author, and the Word in Amira Hanafi’s A Dictionary of the Revolution (Q6754)
- Beyond Maximalism: Resolving the Novelistic Incompatibilities of Realism, Paranoia, Omniscience, and Encyclopedism through Electronic Literature (Q6753)
- From Ireland with Letters: Issues in Public Electronic Literature (Q6752)
- Writing with the Australian Archive: Digital Posthuman Approaches to Australian Literature (Q6751)
- Stories for the Future (Q6750)
- The Future of XR - Keynote address (Q6749)
- Mother/Home/Heaven: Augmented Reality Hauntings (Q6748)
- Future Fiction Storytelling Machines: Histories And Next Horizons Of Electronic Literature (Q6747)
- "A Snap of the Universe”: Digital Storytelling, as in Conversation with Caitlin Fisher (Q6746)
- River Monsters: Forking Paths, Simultaneous Timelines and Continuity Over 25 Years of Creative Practice (Q6745)
- Building Augmented Reality Freedom Stories (Q6744)
- Popular Prosody: Spectacle and the Politics of Victorian Versification (Q6743)
- The General History and Description of a Machine for Composing Hexameter Latin Verses (Q6742)
- Story machines: how computers have become creative writers (Q6741)
- John Clark’s Latin Verse Machine: 19th Century Computational Creativity (Q6740)
- Ciberfeminismos, tecnotextualidades y transgéneros (Q6739)
- Ciberfeminismos, tecnotextualidades y transgéneros. Literatura digital en español escrita por mujeres (Q6738)
- Polifonía y memoria como base de la poética de María Mencía (Q6737)
- Putting the Pig Back Together Again: Dis(re)connection in "Figurski at Findhorn on Acid" (Q6736)
- Digital Orihon (デジタル 折り本): The (un)continuous shape of the novel (Q6735)
- Data as language; language as data (Q6734)
- Digital Literary Creative Practice and COVID-19 (Q6733)
- Digital Realism (Q6732)
- Letter From Porto ELO Conference July, 2017 (Q6731)
- Transmedial Unnatural Spatiality and Postdigital Dystopicalization in The Pickle Index (Q6730)
- Digital Narrative Spaces: An Interdisciplinary Examination (Q6729)
- Reading Digital Lives Generously (Q6728)
- Research Methods for Auto/biography Studies (Q6727)
- "These Waves …:" Writing New Bodies for Applied E-literature Studies (Q6726)
- Developing a Choice-Based Digital Fiction for Body Image Bibliotherapy (Q6725)
- The Possibilities of Illness Narratives in Virtual Reality for Bodies at the Margins (Q6724)
- Close Reading of Stephanie Strickland, Cyntia Lawson Jaramillo and Paul Ryan’s slippingglimpse (Q6723)
- Nuestras voces en la historia de la literatura electrónica (Q6722)
- Special Issue on Electronic Literature (Q6721)
- Ciberfeminismo : de VNS Matrix a Laboria Cuboniks (Q6720)
- COVID E-Lit: Digital Art During the Pandemic (Q6719)
- The Origins Of Electronic Literature As Net/Web Art (Q6718)
- Thirteen Ways of Looking at Electronic Literature, or, A Print Essai on Tone in Electronic Literature, 1.0 (Q6717)
- Walking, Haunting, and Affirmative Aesthetics: The Case of Women without Men (Q6716)
- Gramophone, Film, Typewriter (Q6715)