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Showing below up to 50 results in range #5,101 to #5,150.
- The Twentieth Century Performance Reader (Q5629)
- The Visible Word: Experimental Typography and Modern Art, 1909-1923 (Q5628)
- Ian Hamilton Finlay: the concrete poet as avant gardener (Q5627)
- Inner Tension / In Attention": Steve Mccaffery’s Book Art (Q5626)
- Differentials: Poetry, Poetics, Pedagogy (Q5625)
- Reading Visual Poetry (Q5624)
- Pattern Poetry: Guide to an Unknown Literature (Q5623)
- Introduction - Concrete Poetry: A World View (Q5622)
- Time Code Language: New Media Poetics and Programmed Signification (Q5621)
- Digital Culture, Play, and Identity: A World of Warcraft® Reader (Q5620)
- Dwarven Epitaphs: Procedural Histories in Dwarf Fortress (Q5619)
- Open-work: Dining at the Interstices (Q5618)
- Interview with Porpentine Charity Heartscape (Q5617)
- Interview with Porpentine, author of Howling Dogs (Q5616)
- Zoe Quinn’s Depression Quest (Q5615)
- Photopia: Not a Mediocre Short Story (Q5614)
- RPG Maker as an E-Literature Platform (Q5613)
- Seduced by the Gap: Writing (E-Lit) Criticism into Crisis (Q5612)
- Hybrid Praxis and Collaborative Culture in an E-Lit Classroom (Q5611)
- The Inform User’s Manual (Q5610)
- 2009: David Clark’s 88 Constellations for Wittgenstein (Q5609)
- The Pleasure (and Pain) of Link Poetics (Q5608)
- Judy Malloy’s Uncle Roger (Q5607)
- From Codex to Code: Computational Poetics and the Emergence of the Self- Reading Text (Q5606)
- Reading the Ethics and Poetics of the Digital through John Cayley’s The Listeners (Q5605)
- Divides in the Post-Print Classroom? Bringing Critical Social Research Methods to the Fore (Q5604)
- The Book of Disquiet Digital Archive as a role-playing experiment (Q5603)
- Locative Listening and the Construction of Dynamic Hybrid Space (Q5602)
- Distant Reading and Digital Reading Practices (Q5601)
- (Latin American) E-Lit and its Experimental Nature. After the Great Divide? (Q5600)
- Cling-Clang-Cornelius: Digital Sound Poetry as Embodied Posthumanism (Q5599)
- Splatter Semiotics / Semiotics of Splatter (Q5598)
- Janky Materiality: Artifice and Interface (Q5597)
- After the Page: Digital Reading Practices and New Media Technology in the Writing Classroom (Q5596)
- The Convergence between Print and Digital Literature in Blackout Poetry (Q5595)
- Avoiding the digital insanity: the attachment to constructivism in Brazilian literature (Q5594)
- Spark Gap: Digital Language, Interstitial User (Q5593)
- Dank Memes and Tactical Media (Q5592)
- A Republic of Blackboxes: Hijacking Users Devices for the Greater Good (Q5591)
- Italo Calvino’s Six Memos as ethical imperative in J.R. Carpenter’s The Gathering Cloud (Q5590)
- Tracing Invisible Routes: Mobility and Agency in Polak’s “Nomadic Milk” (Q5589)
- Congress of Fakery (Q5588)
- Making PIE: Closing the gap between story and experience (Q5587)
- The Digital Ecology of Canadian Experimental Writing (Q5586)
- Re-imagining the City: (Con)Textual Gaps in Implementation and #QtCoL (Q5585)
- Humor & Constraint in Electronic Literature (Q5584)
- Strategies of Embodiment (Q5583)
- Electronic Literature as an approaching tool to emerging ways of reading (Q5582)
- Poética Quántica: Closing the Literary Gap in Latin American E-Lit (Q5581)
- Between Screen and Skin: “Touchy” Subjects, Precarious Identities, and Electronic Literature as Haptic Media (Q5580)