Pages not connected to items
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Showing below up to 50 results in range #5,151 to #5,200.
- Dérives. Bringing (digital) space back to literature. (Q5579)
- An Atlas of Hypertext: Gaps in the Maps (Q5578)
- Haunting (Narrative) Architecture: The Internet in Skeleton Creek (Q5577)
- A False Sense of Feminism in Chinese Internet Literature: A Case Study of the Web Serial Novel Three Lifetimes, Ten Miles of Peach Blossoms (Q5576)
- Understanding Robert Coover (Q5575)
- Understanding Contemporary American Literature (Q5574)
- La littérature numérique francophone : enjeux théoriques et pratiques pour l’identification d’un corpus (Q5573)
- La littérature numérique entre légitimation et canonisation (Q5572)
- Genre: Bot. I Love E-poetry (Q5571)
- 3,785 Page Pirated Poetry Anthology (Q5570)
- Object/Poems: Alison Knowles’s Feminist Archite(x)ture (Q5569)
- X.tra (Q5568)
- Alison Knowles, James Tenney and the House of Dust at CalArts (Q5567)
- Theo Lutz, Stochastic Text. Digital Poetry Overview: a chronology of digital poetry’s anscestors and contemporaries (Q5566)
- The ‘Thinking’ Machine (Q5565)
- ALAMO, Une expérience de douze ans (Q5564)
- Translation and the Oulipo: The Case of the Persevering Maltese. electronic book review (Q5563)
- The Exquisite Corpse: Chance and Collaboration in Surrealism’s Parlor Game (Q5562)
- Manifesto of Surrealism (Q5561)
- Dada Manifesto 1918 (Q5560)
- Dada: Art and Anti-Art (Q5559)
- Reading Project: A Collaborative Analysis of William Poundstone’s Project for Tachistoscope (Q5558)
- Writing Space: Computers, Hypertext, and the Remediation of Print (Q5557)
- Platform Studies: Frequently Questioned Answers (Q5556)
- Multimodality: A Social Semiotic Approach to Contemporary Communication (Q5555)
- Manifesto for a Post-Digital Interface Criticism (The New Everyday) (Q5554)
- Activist Media Poetics: Electronic Literature Against the Interfacefree (Q5553)
- Memory (Q5552)
- The Birth of Tragedy and The Genealogy of Morals (Q5551)
- The Ideology of Genre: A Comparative Study of Generic Instability (Q5550)
- Genre (Q5549)
- The Origin of Genres (Q5548)
- Born Digital (Q5547)
- ELO 2018: Database Collaboration, Facial Recognition, and Third Generation Electronic Literature (Q5546)
- Semiotic Engineering: an HCI Theory That Can Be Adopted for the Analysis of Works of Electronic Literature (Q5545)
- Make It New: Essays (Q5544)
- A Project Gutenberg Poetry Corpus (Q5543)
- Micronarrative, Virtual Reality, and Medium Specificity: Circa 1948 as VR installation and Mobile App (Q5542)
- "Smog Poem" and “Heating Season.” Creative work and Smog Datafication (Q5541)
- The reading abyss: narrative in times of Artificial Intelligence (Q5540)
- The Infinite Question: Borges and E-Lit (Q5539)
- Secrets, a pedagogic tool for e-lit practices (Q5538)
- Marxism and the Philosophy of Language (Q5537)
- What Makes Life Worth Living: On Pharmacology (Q5536)
- Critical Terms for Media Studies (Q5535)
- The Untold Story of the Talking Book (Q5534)
- The Voice in the Machine: Building Computers That Understand Speech (Q5533)
- The Force of Language (Q5532)
- The Origins of Language: A Slim Guide (Q5531)
- The Origins of Grammar: Language in the Light of Evolution (Q5530)