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Showing below up to 50 results in range #5,701 to #5,750.
- Cave Gave Game: Subterranean Space as Videogame Place (Q5027)
- Nature is What Hurts (Q5026)
- Intersectional Ecologies: Matt Kenyon’s "Useful Fictions," an interview (Q5025)
- Review of Heather Houser’s Ecosickness in Contemporary U.S. Fiction: Environment and Affect (Q5024)
- The Peripheral Future (Q5023)
- Simultaneously Reading/Writing Under/Destroyed My Life (Q5021)
- Fictions of Fact and Value (Q5020)
- Before Corporate Monoculture (Q5019)
- Playing the Blues: Pete Townshend's Who I Am and Music as Experimental Autobiography (Q5018)
- "With each project I find myself reimagining what cinema might be": An Interview with Zoe Beloff (Q5017)
- Damaged Nature, Auto-Destructive Art (Q5016)
- Review of Williams's How to be an Intellectual (Q5015)
- Poetics of the Literary Self-Portrait (Q5014)
- An Aesthetics of the Unsaid (Q5013)
- Text Generation, or Calling Literature into Question (Q5012)
- Internet Nation (Q5011)
- Towards Buen Vivir (Q5010)
- The Procedural Poetries of Joan Retallack (Q5009)
- music/sound/noise (Q5008)
- Architecture as a Narrative Medium (Q5007)
- Thinking With the Planet: a Review of The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century (Q5006)
- I'll be a postfeminist in a postpatriarchy, or, Can We Really Imagine Life after Feminism? (Q5005)
- Infiltrating Aesthetics: Videogames, Art, and Distinction (Q5004)
- Present and Future of Digital Ecology: Performance of Digital Poetry in the Transitional Phases (Q5003)
- ELO 2017: Book of Abstracts and Catalogs (Q5002)
- TACTO/CONTACTO: operações poético-hápticas em ACÇÃO FÉNIX 2.0 E INSTALAÇÃO de Silvestre Pestana e Rara Avis de Eduardo Kac (Q5001)
- PONTOS: uma recombinação textual intermedial e transpoética (Q5000)
- INTER[(SURF)ACES] (Q4999)
- The Endgame for Electronic Literature? (Q4998)
- Through the Touching Glass – Hapticity, Multisensoriality and the Digital Interface (Q4997)
- Poétiques et esthétiques numériques tactiles: Littérature et Arts (Q4996)
- Digital Materialities of the Literary Text (Q4995)
- Reading, Writing, Device: Digital Intersections and Intermediations (Q4994)
- Poetic fingerprints: digital literature’s countercultural and metamedial integration of vision and touch (Q4993)
- Im)movable bodies or (Un)moving Texts? Haptic Reading Processes in Electronic Literature (Q4992)
- Uma Sensação de Ausência Presente. A metáfora de membro fantasma no contexto dos media digitais (Q4991)
- PO.EX: Arquivo, Subarquivo, Meta-arquivo» [Recensão crítica de Rui Torres & Sandy Baldwin, EX: Essays from Portugal on Cyberliterature and Intermedia (By Pedro Barbosa, Ana Hatherly and E. M. de Melo e Castro). (Q4990)
- Tacto/Contacto: Processos de Experienciação Háptica no Corpo Cíbrido (Q4989)
- Entre o Demasiado Literal e o Excessivamente Literário: Potencialidades e Limites do Tacto Háptico (Q4988)
- Recensão crítica de ‘Encontros com Ana Hatherly' (Q4987)
- "Criar as imagens com a pele": o gesto como processo de leitura háptica na experienciação de obras literárias digitais (Q4986)
- Gestos de Subversão. Estratégias de significação e afecto no Experimentalismo poético (Q4985)
- Grasp All, Lose All: Loss of Grasp and Non-Functional Digital Interfaces in Electronic Literature (Q4984)
- Through the Touching Glass: Literature for Haptic Inter[(surf)aces] (Q4983)
- The Endgame or a Wake?: Tropes of Circularity in Literature Then and Now (Q4982)
- Things Rarely Turn Out the Way I Intend Them To (Q4981)
- "Flows Dream / Shapes Hold": Tijdsgebondenheid, Overwriting, en Remixen in Generatieve Dichtkunst (Q4980)
- Interfacing with the Internet in Popular Cinema (Q4979)
- Irresponsible mediums: the chess games of Marcel Duchamps (Q4978)
- Virtual Weaponry The Militarized Internet in Hollywood War Films (Q4977)