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Showing below up to 50 results in range #6,451 to #6,500.
- Digital Preservation: A Time Bomb for Digital Libraries (Q4322)
- Performing Assemblages of Collective Enunciation in 'The Broadside of a Yarn' (Q4321)
- Gibt es 'Digitale Bibliotheken'? Wird es sie jemals geben? Zu den Grenzen einer allzu populären Metapher (Q4320)
- Digitalität und Literarität: Zur Zukunft der Literatur (Q4319)
- Abstract Language #2: ottar ormstad’s bokstavteppekatalogen (Q4318)
- Animated Concrete Poetry Between Stillness and Motion - a Close-Up on Ottar Ormstad's Oeuvre of Works (Q4317)
- A Vanguard Projected in Motion: Early Kinetic Poetry in Portuguese (Q4316)
- Poética dos Meios e Arte High Tech (Q4315)
- Poetry 4 U: Pinning poems under/over/through the streets (Q4314)
- Code Poetry (Q4313)
- Videopoetry (Q4312)
- What I See and What You Read: A Narrative of Interdisciplinary Research on a Common Digital Object (Q4311)
- Thresholds of the Edge: Rethinking the Concepts of Books and Access in the Age of the Digital Paratext (Q4310)
- Reading Processes: Groundwork for Software Studies (Q4309)
- Jag är dikt. Vi är litteratur tillsammans (Q4308)
- On Polish Translation of Sea and Spar Between (Q4307)
- Don't Lurk Too Long: Art and Creativity in a Digital Community (Q4306)
- Picking up the Pieces: History and Memory in European Digital Literature (Q4305)
- Make or Break? Concerning the Value of Redundancy as a Creative Strategy (Q4304)
- Collaborative Narrative (Q4303)
- Electronic Literature (Q4302)
- Approche du rôle de la mémoire dans la conception et la réception de quelques oeuvres en littérature numérique (Q4301)
- Writing Under: Selections From the Internet Text (Q4300)
- Reader/Readers (Q4299)
- Lineages of German-language Electronic Literature: the Döhl Line (Q4298)
- Эволюция от кутюр. Искусство и наука в эпоху постбиологии. (Q4297)
- Autoauthor, Autotext, Autoreader: The Poem as Self-assembled Database (Q4296)
- Electronic Literature as Cultural Heritage (Confessions of an Incunk) (Q4295)
- From Traces to Collective Memory: Databases and the Development of the Field of Electronic Literature (Q4294)
- The Digital Subject: Questioning Hypermnesia (Q4293)
- Preservation of Digital Literature: From Stored to Reinvented Memory (Q4292)
- The Functional Point of View: New Artistic Forms for Programmed Literary Works (Q4291)
- The ELMCIP Electronic Literature Knowledge Base: Project Report (Q4290)
- Ethnographies of Co-Creation and Collaboration as Models of Creativity (Q4289)
- Hyperstitial Poetics of Network Media (Q4288)
- The late age of print : everyday book culture from consumerism to control (Q4287)
- ELMCIP Anthology of European Electronic Literature (Report) (Q4286)
- Manuel Portela and Rui Torres on the Portuguese E-Lit Collection at ELMCIP.net (Q4285)
- Electronic Literature with/in Performance (Q4284)
- Electronic Literature Communities (Q4283)
- Poetics in Digital Communities and in Digital Literature (Q4282)
- E-Literature and New Media Art (Q4281)
- Architextualité et programmes d'écriture pour les textes interactifs littéraires (Q4280)
- Speaking code : coding as aesthetic and political expression (Q4279)
- A Humument app by Tom Phillips as a work of liberature: between text and embodiment (Q4278)
- The Awareness of the Power of the Tool: the Author and his Practices (Q4277)
- The Rustle of Language (Q4276)
- Controlled Consumption Interfaces - When digital culture becomes software business (Q4275)
- The Marketization of Net Art (Q4274)
- Une “poésie numérique”? Khlebnikov et Jakobson, Marinetti, Schwitters, Kostelanetz (Q4273)