Pages not connected to items
This page lists pages with no connected data item (in namespaces that support connected items).
Showing below up to 50 results in range #6,501 to #6,550.
- Post-digital Books and Disruptive Literary Machines (Q4272)
- The "Research and Creation" Approach in Digital Literature (Q4271)
- The Exquisite Corpus: Issues in Electronic Literature (Q4270)
- <<Chercher l’exhibition>> Curating Electronic Literature as a Critical Practice (Q4269)
- Electronic Literature Pedagogies (Q4268)
- Electronic Literature Publishing Practices: Distinct Traditions and Collaborating Communities (Q4267)
- Translating afternoon, a story by Michael Joyce, or How to Inhabit a Spectral Body (Q4266)
- Developing a Network-Based Creative Community: An Introduction to the ELMCIP Final Report (Q4265)
- Alire: un questionnement irréductible de la littérature (Q4264)
- Alire: A Relentless Literary Investigation (Digithum) (Q4263)
- Elektronska literatura in nove družbene paradigme (Q4262)
- Literarni vidiki novomedijskih del Jake Železnikarja in Sreča Dragana (Q4261)
- Med literaturo in novomedijsko umetnostjo: sonetoidni spletni projekti Vuka Ćosića in Tea Spillerja (Q4260)
- Programmed Digital Poetry: A Media Art? (Q4259)
- Analyzing Electronic Poetry. Three Examples of Textualities in Digital Media (Q4258)
- Electronic Literature and the New Media Art: Introduction to the Thematic Section (Q4257)
- Elektronska literatura in novomedijska umetnost. Uvod v tematski sklop (Q4256)
- Polish Digital Literature. An Introduction (Q4255)
- Electronic Literature and the New Media Art (Thematic Section of Primerjalna književnost 36.1) (Q4254)
- Gossip Girl Goes to the Gallery: Bernadette Corporation and Digitextuality (Q4253)
- Virtual Dramaturgy: Critical Digital Practice in Kris Verdonck’s M, a Reflection (Q4252)
- On the Screen Floor Exploring Dances of Digital Language and Writing (Q4251)
- Two Poems and a Conversation With J.R. Carpenter (Q4250)
- Moving Words: Performative Readings of Kinetic Typography (Q4249)
- Hacking Choreography (Q4248)
- Digitaland: Digital Performance in Many Dimensions (Q4247)
- ‘Compose new Tweet’: A Cross-Disciplinary Perspective on Spectatorial Performance in the Digital Age (Q4246)
- Send: Act: Perform (Q4245)
- The Dance Without the Dancer: Writing Bodies in Digital Texts (Q4244)
- Adventures in Live Writing (Artist’s pages) (Q4243)
- Live Code: Notations on a Kairotic Practice (Q4242)
- “Signature of Digital Subversion” - Joseph DeLappe’s Online-Writing Performances (Q4241)
- Extending the Platform: Digital Pragmatism and Hatch Nottingham (Q4240)
- Transcript of the Twitter Performance 'Dawn Chorus', October 2011 (Artist's pages) (Q4239)
- Aura in the Age of Computational Production (Q4238)
- R/W/E or CHMOD -777 (Q4237)
- Towards a Poor (Techno)Theatre / Escritura Acto (Q4236)
- On Writing & Digital Media (Performance Research 18:5) (Q4235)
- Spars of Language Lost at Sea (Q4234)
- Golden Days, Silver Nights: Locating Utopia through Diminished Reality (Q4233)
- Read Fast, Die Young? – Interpreting Young-Hae Chang Heavy Industries’ Flash Poem Dakota (Q4232)
- E-Literary Text in Nomadic Cockpit (Q4231)
- Exopoiesis and literariness in the works of William Gibson, Mark Z. Danielewski, Kate Pullinger and Chris Joseph (Q4230)
- Towards a Digital Epistemology: Printed Texts and the Logic of Electronic Literature (Q4229)
- Rethinking Comparative Literature: Literary Studies in the Age of Electronic Media (Q4228)
- New literatures for a new imaginary: some hispanic case studies (Q4227)
- Panorama de la production scientifique au Brésil: Cyberculture et poésie numérique (2000-2010) (Q4226)
- De la croissante invisibilité des poésies numériques en ligne dans la zone française (Q4225)
- O Poema no Caminho do Leitor e o Leitor no Caminho do Poema (Q4224)
- Autoautor, Autotexto, Autoleitor: O Poema como Base de Dados (Q4223)