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Showing below up to 50 results in range #7,151 to #7,200.
- Friending The Humanities Knowledge Base: Exploring Bibliography as Social Network in Rose (Q3622)
- Building the Infrastructural Layer: Reading Data Visualization in the Digital Humanities (Q3621)
- Digital Oracles (Q3620)
- Creating Interactive Fiction with Inform 7 (Q3619)
- Taking A Scroll: Text, Image and the Construction of Meaning in a Digital Panorama (Q3618)
- Digital Panoramas and Cinemascapes (Q3617)
- Making Meaning: Negotiating Seduction in New Media Works (Q3616)
- Towards an Art of Rhetoric in Electronic Literary Works: The Figures of Manipulation (Q3615)
- Practical Play: Research and Invention (Q3614)
- Corporeal Poetry: Experiments with 3D Poetry in the MOVE Lab (Q3613)
- Augmented Reality Storyworlds: Building Spatial Hyperfictions in the York Future Cinema Lab (Q3612)
- The Aesthetics and Practice of Computational Literature (Q3611)
- Reading Practices in Electronic Literature: A Dialogic Approach (Q3610)
- The Risk of Reading in Digital Literary Creation (Q3609)
- An Account of Randomness in Literary Computing (Q3608)
- Crossed Lines (Q3607)
- Digital Poetry Beyond Avant-Garde Readings: Proposing a Digital Lyric (Q3606)
- Next Generation Literary Machines: The “Dynamic Network Aesthetic” of Contemporary Poetry Generators (Q3605)
- Translated! Papers on Literary Translation and Translation Studies (Q3604)
- Four Temperaments and the Forms of Poetry (Q3603)
- I, Apparatus, You: A Technosocial Introduction to Creative Practice (Q3602)
- Avatars Sharing Agency: Metaphor in Interactive Narrative Environments (Q3601)
- Provocation by Program: Imagining a Next-Revolution Eliza (Q3600)
- Sensory Modalities and Digital Media (Q3599)
- The Aesthetic of Dissonance within 6amhoover.com (Q3598)
- An Archival Approach to Curating Born-Digital and Electronic Literary Materials (Q3597)
- Played by Hyperfiction. Modes of Reading Megan Heyward's "Of Day, of Night" (Q3596)
- Scott McCloud's The Right Number: Gaining Currency with Multimedia Technology and Digital Publishing in the Web Comics Revolution (Q3595)
- Digging For The Roots Of Interactive Storytelling (Q3594)
- From Audio Black to Artful Noises: Looking at Sound in Electronic Literature (Q3593)
- Musical Time with Kinetic Type (Q3592)
- Brautigan Bibliography and Archive: Digitizing a Literary Life (Q3591)
- Implied Code as Mental Geography (Q3590)
- Original Chat: Exploring the Origins of the Turing Test (Q3589)
- Digital Modernism (Q3588)
- Digital Modernism: Making it New in New Media (Q3587)
- Blurring of Public and Private Space in New Media Art (Q3586)
- Infinite Interfaces and Intimate Expressions: Hand-Held Mobile Devices and New Reflective Writing Spaces (Q3585)
- On Moving and Being Moved (Q3584)
- Blending the Crossword with the Narrative: An Examination of the Storygame (Q3583)
- Hypermediating the Game Interface: Grand Theft Auto and the Alienation Effect (Q3582)
- Meta Discourse: An Investigation into Possibilities of Meta-Fictions in the 21st Century (Q3581)
- Cavewriting: Spatial Hypertext Authoring System (Q3580)
- Media studies, mobile augmented reality, and interaction design (Q3579)
- Hors-Categorie: An Embodied, Affective Approach to Interactive Fiction (Q3578)
- I like IRC & SMS (Q3577)
- Logging In (Q3576)
- See Spot Link. Link, Spot, Link: How to read and appreciate electronic literature (Workshop) (Q3575)
- Remix Writing and Postproduction Art (Workshop) (Q3574)
- The Cuckoo Bird of Fiction: Pastiche, Hoax and the Evolution of Form (Q3573)