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Showing below up to 50 results in range #7,201 to #7,250.
- Transliteracy and Interdisciplinarity in Digital Media Research (Q3572)
- Poetic Machines: an investigation into the impact of the characteristics of the digital apparatus on poetic expression (Q3571)
- Distant Mirrors and the LAMP (Q3570)
- Interactive Fiction: The Computer Storygame 'Adventure' (Q3569)
- Theory and technology for computational narrative: an approach to generative and interactive narrative with bases in algebraic semiotics and cognitive linguistics (Q3568)
- I, Chatbot: The Gender and Race Performativity of Conversational Agents (Q3567)
- From page to screen: placing hypertext fiction in an historical and contemporary context of print and electronic literary experiments (Q3566)
- Techno-historical Limits of the Interface: The Performance of Interactive Narrative Experiences (Q3565)
- From Text to Hypertext: Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media (Q3564)
- Travels in Cybertextuality. The Challenge of Ergodic Literature and Ludology to Literary Theory (Q3563)
- Print Pathways and Electronic Labyrinths: How Hypertext Narratives Affect the Act of Reading (Q3562)
- New narrative pleasures? A cognitive-phenomenological study of the experience of reading digital narrative fictions (Q3561)
- Interactive fiction, virtual realities, and the reading-writing relationship (Q3560)
- Hypertext Fiction Reading: Haptics and Immersion (Q3559)
- Generating Narrative Variation in Interactiv Fiction (Q3558)
- Interactive Drama, Art, and Artificial Intelligence (Q3557)
- Expressive Processing: On Process-Intensive Literature and Digital Media (Q3556)
- Oltre i confini del libro. La letteratura italiana nell'era digitale (Q3555)
- Writing the Ephemeral […] and Re-Enchanting the Remnants: The Lability of the Digital Device in Literary Practice (Q3554)
- Notes on the Last Vispo Anthology: Visual Poetry 1998-2008 (for Rain Taxi review) (Q3553)
- The Literariness of New Media Art - A Case for Expanding the Domain of Literary Studies (Q3552)
- The Last Vispo Anthology: Visual Poetry 1998-2008 (Q3551)
- Notes on Gnoetry Daily, Volume 1 (Q3550)
- Electronic Literature Communities, Part I (Q3549)
- The Web is Paratextual: An Exploration of the Web's Architecture from a Paratextual Perspective (Q3548)
- Auto/onto-poiesis (Q3547)
- Technology, Literature and Culture (Q3546)
- ESTRanHO ERTHOS – POESIGNOS (Q3545)
- Da poiésis digital de André Vallias (Q3544)
- Poética das Hipermídias, uma Escritura Expandida (Q3543)
- InterLab: labirintos do pensamento contemporâneo (Q3542)
- O chip e o caleidoscópio (Q3541)
- Contrapoemas & Anfipoemas (Q3540)
- Recent Experiments in Holopoetry and Computer Holopoetry (Q3539)
- Investieren! Fünf Stellungnahmen zum Scheitern der Hypertextliteratur und ein Vorschlag zu ihrer Rettung (Q3538)
- literatur.com - Tendenzen im Literaturmarketing (Q3537)
- Poesia Holográfica: as três dimensões do signo verbal (Q3536)
- Holopoetry and fractal holopoetry: Digital holography as an art medium (Q3535)
- Holopoetry and Perceptual Syntax (Q3534)
- Weblogs: Ein globales Literaturformat. (Q3533)
- Globalisierung und deutschsprachige Gegenwartsliteratur. Konstellationen, Konzepte, Perspektiven (Q3532)
- Spielbare Konflikte: Gattungsstrukturen und Spielhandlungen im interaktiven Drama (Q3531)
- Autofiction on Screen: Self-representation of an Egyptian ‘Spinster’ in a Literary Blog (Q3530)
- HighTech - LowLit? Literatur und Technik: Autoren und Computer (Q3529)
- The Engagement Aesthetic: Experiencing New Media Art through Critique (Q3528)
- Formen digitaler Literatur 2.0 (Q3527)
- 0,5 Cent (Q3526)
- Digitales Schreiben und Archivierbarkeit von elektronischer Literatur. (Q3525)
- Der Link als Herme und Seitensprung. Überlegungen zur Komposition von Webfiction. (Q3524)
- Hyperfiction – ein neues Genre? (Q3523)