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Showing below up to 50 results in range #7,551 to #7,600.
- The Compelling Charm of Numbers: Writing for and thru the Network of Data (Q3221)
- Rhizomes, Lines and Nomads: Doing Fieldwork with Creative Networked Communities (Q3220)
- Remediating the Social introduction (Q3219)
- Bootstrapping Electronic Literature: An Introduction to the ELMCIP Project (Q3218)
- Unique-Reading Poems: A Multimedia Generator (Q3217)
- Getting a Computer to Write About Itself (Q3216)
- Toward a Semantic Literary Web: Setting a Direction for the Electronic Literature Organization’s Directory (2007) (Q3215)
- Re:Mix (Q3214)
- Review of Human Readable Messages_[Mezangelle 2003-2011] (Q3213)
- Computer-Mediated Collaborative Writing (Q3212)
- Reflections on the Perception of Generative and Interactive Hypermedia Works (Q3211)
- Framing Embodiment in General Purpose Computing (Q3210)
- Programming for Fun, Together (Q3209)
- Getting in on the Ground Floor: A Hazy History of How and Why We Banded Together (Q3208)
- Texto Digital 8.1 (2012) (Q3207)
- konkret digital: Interview with Johannes Auer about Concrete Poetry and Net Literature (Q3206)
- The ELO 2012 Media Arts Show: A Retrospect (Q3205)
- Frankophone Hyperfiction (Q3204)
- New Directions in Digital Poetry: A Review (Q3203)
- Critical Code Studies (Q3202)
- Comments on Comments in Code (Q3201)
- Post-Chapter Dialogue, Gendolla and Ricardo (Q3200)
- Post-Chapter Dialoge, Raley and Ricardo (Q3199)
- Post-Chapter Dialogue, Simanowski and Ricardo (Q3198)
- After 391: Picabia's early multimedia experiments (Q3197)
- Dada2Data (Q3196)
- Adventures in Transition: Jason Nelson’s Scary Journey from Flash to J-Code and Desk to Hand (Q3195)
- Quantum Authoring for "Prom Week": What We Learned Writing Six Thousand Lines of Procedurally-Driven Dialogue (Q3194)
- Shakespeare in Simlish? Responsive Systems and Literary Language (Q3193)
- E-literature and the Un-coded Model of Meaning: Towards an Ordinary Digital Philosophy (Q3192)
- netwurker_mez + her cardboard avatar [who might be made up of Boxes, but is *not* Boxxy] (Q3191)
- From Reality to Interactive Fiction and the Way Back (Q3190)
- Performing the Digital Archive: Remediation, Emulation, Recreation (Q3189)
- The (Problematic) Issue to Evaluate Literariness: Digital Literature Between Legitimation and Canonization (Q3188)
- Why ‘But is it e-lit?’ Is a Ridiculous Question: The Case for Online Journals as Organic, Evolving Works of Digital Literature (Q3187)
- Literature: Lift this End (Q3186)
- Commenting Creative Code (Q3185)
- Beyond Literary? (Q3184)
- Graphic Sublime: On the Art and Designwriting of Kate Armstrong and Michael Tippet (Q3183)
- Electronic Literature for All: Performance in Exhibits and Public Readings (Q3182)
- Bringing the Art of Design to the National Park Service: The Fort Vancouver Mobile Project (Q3181)
- Bob Brown's Reading Machine and the Comic Experience of Electrified Reading (Q3180)
- Marking Transition: the Work of Neal von Flue (Q3179)
- Abandoning Canon: Fluid Texts and Implicit Collaboration in Electronic Narratives (Q3178)
- Locating the Literary in Electronic Ludicity: Jason Nelson's Evidence of Everything Exploding (Q3177)
- Re:Cycle - A Computationally Generative Ambient Video System (Q3176)
- Slow Games, Slow Poems: The Act of Deliberation in "Slow Year" (Q3175)
- Reading Virtual Geographies (Q3174)
- In the Event of Text (Q3173)
- Prosthesis, or The Forthcoming Public Cloud IaaS Magic Quadrant Tenancy (Q3172)