Pages not connected to items
This page lists pages with no connected data item (in namespaces that support connected items).
Showing below up to 50 results in range #7,701 to #7,750.
- Reading Hypertext and the Experience of Literature (Q3071)
- Introduction [to New Narratives: Stories and Storytelling in the Digital Age] (Q3070)
- Entre Ville: this city between us redux (Q3069)
- Interactive Fiction (Q3068)
- Code Poetry and New-Media Literature (Q3067)
- Digital Fiction: Networked Narratives (Q3066)
- The Routledge Companion to Experimental Literature (Q3065)
- Chuva de letras: de presenças, ausências de literatura digital (Q3064)
- Digital Literature: Theoretical and Aesthetic Reflections (Q3063)
- Charting the Shifting Seas of Electronic Literature’s Past and Present (Q3062)
- Distributed Matters: Production of Presence and the Augmented Textuality of VR (Q3061)
- Flash Points: Reading Electronic Literature as a Metaphor for Creativity (Q3060)
- Deutschsprachige Literaturmagazine im Internet: Ein Handbuch (Q3059)
- Interview with Pauline Masurel (Q3058)
- Reading Hypertext: Reading Blue Hyacinth (Q3057)
- Cris Cheek on Poetics and Projection (Q3056)
- Huis Clos / No Exit (Q3055)
- Performed poetics in multi-linear narrative situations (Q3054)
- An Interview with Jason Nelson (Q3053)
- Into Thin Air: Blank Space in ‘Happening Poetry' (Q3052)
- Being Dissolved: Erasure and Destruction in the Digital Text (Q3051)
- A Performance of Reality. Handwriting and Paper in Digital Literature (Q3050)
- Performance as a Categoriser (Q3049)
- Davey Dreamnation and the Performance of Self (Q3048)
- 'Reading' Performance: Eugenio Tisselli's Wen (Q3047)
- Jesurun's Digitalist Firefall: Staging the Analogical Relation as Cognitive Performance (Q3046)
- Touch and Gesture as Aesthetic Experience: Performing 5 Apps (Q3045)
- Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe (Q3044)
- Performance of Code: Jörg Piringer in Conversation with J. R. Carpenter (Q3043)
- Forms of Future (Q3042)
- Frontiers of Electronic Literature (Q3041)
- Machinic Performance (Q3040)
- Performance and the Digital Text (Q3039)
- Bookend; www.claptrap.com (Q3038)
- Digital Magic: Preservation for a New Era (Q3037)
- A Bibliographic Overview of Electronic Literature (Q3036)
- Digital Currents: Art in the Electronic Age (Q3035)
- Documenting Electronic Literature and Digital Art in an Open-Access Online Database (Q3034)
- Digital Litteratur: En innføring (Q3033)
- Graphs, Maps, Trees: Abstract Models for Literary History (Q3032)
- The Six Elements and the Causal Relations Among Them (Q3031)
- Dada Redux: Elements of Dadaist Practice in Contemporary Electronic Literature (Q3030)
- Dichtung Digital 39 (Q3029)
- Grasping at Loose Bindings: Thoughts on Language, Literature, Communication in a Time of Change (Q3028)
- Architectures of Possibility: After Innovative Writing (Q3027)
- Songlines in the Streets: Story Mapping with Itinerant Hypernarrative (Q3026)
- From (W)reader to Breather: Cybertextual De-intentionalization and Kate Pullinger's Breathing Wall (Q3025)
- Curveship: An Interactive Fiction System for Narrative Variation (Q3024)
- Seeing through the Blue Nowhere: On Narrative Transparency and New Media (Q3023)
- Ontological Boundaries and Methodological Leaps: The Importance of Possible Worlds Theory for Hypertext Fiction (and Beyond) (Q3022)