Pages not connected to items
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Showing below up to 50 results in range #7,801 to #7,850.
- Other Spaces: French Cubism and Russian Futurism (Q2971)
- Modernisms: A Literary Guide (Q2970)
- Reading the Illegible (Q2969)
- The Material of Poetry (Q2968)
- Artifice of Absorption (Q2967)
- A poetics (Q2966)
- The Textual Condition (Q2965)
- Logging In and Getting Off: Login, Labor, Literature, and the Subject of the Net (Q2964)
- Electronic Poetry: Understanding Poetry in the Digital Environment (Q2963)
- Conversations with Poets about Technology (CAPTA) Video Interview with J. R. Carpenter (Q2962)
- Radical Artifice: Writing Poetry in the Age of Media (Q2961)
- Pressing the ‘Reveal Code’ Key (Q2960)
- Conversations with Poets about Technology (CAPTA) (Q2959)
- Where the Senses Become a Stage and Reading is Direction: Performing the Texts of Virtual Reality and Interactive Fiction (Q2958)
- Cybertext Poetics: The Critical Landscape of New Media Literary Theory (Q2957)
- Interview with Ian Hatcher (Q2956)
- Interview with Chris Funkhouser (Q2955)
- Bones of the Book (Q2954)
- Poetry Goes Intermedia: US-amerikanische Lyrik des 20. und 21. Jahrhunderts aus kultur- und medienwissenschaftlicher Perspektive (Q2953)
- Computerpoesie: Studien zur Modifikation poetischer Texte durch den Computer (Q2952)
- Electricians, Wig Makers, and Staging the New Novel (Q2951)
- Jim Rosenberg’s Diagram Poems Series #3: A Few Preliminary Notes on Translation Issues (Q2950)
- ‘Inept at reading : relationship’ - La relation hypertextuelle en question dans les Diagram Poems Series #3 de Jim Rosenberg (Q2949)
- Shelley Jackson : femme-machine. L’imaginaire cyborg de Patchwork Girl (1995) et My Body & A Wunderkammer (1997) (Q2948)
- Text-Spiele: Anmerkungen zur Netzliteratur (Q2947)
- Interrupting D : Patchwork Girl’s Syncopated Body (Q2946)
- Machinic Minds and Posthuman Bodies: the Complexities of Intimacy in Three Electronic Works by Shelley Jackson, Patchwork Girl, My Body & A Wunderkammer, and The Doll Games (Q2945)
- Pornosophic Philosophiction Coming Your Way’: interfacing with Mark Amerika’s GRAMMATRON (Q2944)
- Between the Visceral and the Virtual: Navigating the Embedded Surfaces of Shelley Jackson’s Patchwork Girl (Q2943)
- Chasing Ghosts: Experiencing the Visual Tactility of Michael Joyce’s Electronic Hyperfictions, afternoon, a story (1987) and Twelve Blue (1996) (Q2942)
- Control and freedom : power and paranoia in the age of fiber optics (Q2941)
- Enlightening Interactive Fiction: Andrew Plotkin’s Shade (Q2940)
- Interactive Fiction (Q2939)
- Language machines : technologies of literary and cultural production (Q2938)
- Beyond Space Invaders (Q2937)
- Riddle Machines: the History and Nature of Interactive Fiction (Q2936)
- Fiction and Interaction: How Clicking a Mouse Can Make You Part of a Fictional World (Q2935)
- Proceedings of the 6th Annual Digital Arts and Culture Conference (Q2934)
- A Box, Darkly: Obfuscation, Weird Languages, and Code Aesthetics (Q2933)
- Meditationer omkring et o ('Meditations around an o') (Q2932)
- Ted Warnell (Q2931)
- Further notes on codework (Q2930)
- Who Grabbed My Gorge (Q2929)
- Mez Interview (Q2928)
- Creating Screen-Based Multiple State Environments: Investigating Systems of Confutation (Q2927)
- Eight Digits of Digital Poetics (Q2926)
- charNG: case study of authoring a poetry generator (Q2925)
- Digitale Poesie (Q2924)
- Sprachen der Lyrik: Von der Antike bis zur digitalen Poesie (Q2923)
- Exe.cut[up]able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts (Q2922)