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Showing below up to 50 results in range #8,051 to #8,100.

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  1. Generating Books: Paradoxical Print Snapshots of Digital Literary Processes (Q2721)
  2. Subversive Writing and the Digital Text (Q2720)
  3. "Terminal Hopscotch": Navigating Networked Space in Talan Memmott's Lexia to Perplexia (Q2719)
  4. SpecLab: Digital Aesthetics and Projects in Specuative Computing (Q2718)
  5. Intent is Important (a sketch for a progressive criticism) (Q2717)
  6. Notes Towards a Phenomenology of Digital Information (Q2716)
  7. New Criticism Necessary? and Points for Hypermedia Critics (Q2715)
  8. On Hypertext Criticism (Q2714)
  9. On Hypertext Criticism (Q2713)
  10. Learning from Science Fiction Criticism: Excessive Candour (Q2712)
  11. Learning From the Review Culture of Fan Fiction (Q2711)
  12. Inappropriate Format][ing][: Craft-Orientation vs. Networked Content[s] (Q2710)
  13. Hypertext Criticism: Writing about Hypertext (Q2709)
  14. Hypernews and Coherence (Q2708)
  15. Hypertext Syntagmas: Cinematic Narration with Links (Q2707)
  16. Wreader's Digest - How To Appreciate Hyperfiction (Q2706)
  17. Hypertext Criticism: introduction to a special issue (Q2705)
  18. Wittgensteins brors venstre hånd : David Clark's “88 constellations for Wittgenstein (to be played with the left hand)" (Q2704)
  19. E-Poetry 2009 i Barcelona (Q2703)
  20. Tilfældighedspoesi og et programmeret nu (Q2702)
  21. Digitale ord af kalvelever og smuldret asfalt (Q2701)
  22. Young-Hae Chang Heavy Industries (Q2700)
  23. Loss of Grasp : Teknikliderlige mænd i midtvejskrise (Q2699)
  24. Scandinavian E-texts in Context: "En Million Historier," "Svevedikt," and "Primärdirektivet" (Q2698)
  25. Fashionable Noise: On Digital Poetics (Q2697)
  26. Close Reading in the Realm of Static and Dynamic Texts (Q2696)
  27. Writing as a Woman: Annie Abrahams' e-writing (Q2695)
  28. The New Digital Storytelling: Creating Narratives with New Media (Q2694)
  29. Web/Fiction/Design: A brief beta-test of this year’s winner of the ELO Awards, Caitlin Fisher’s These Waves of Girls (Q2693)
  30. Web 2.0 Storytelling: Emergence of a New Genre (Q2692)
  31. Reading, Writing, and Teaching Creative Hypertext: A Genre-Based Pedagogy (Q2691)
  32. Stuck in a Loop? Dialogue in Hypertext Fiction (Q2690)
  33. Medien Kunst Netz / Media Art Net (Q2689)
  34. Virtual Narrations: From the crisis of storytelling to new narration as mental potentiality (Q2688)
  35. A Perfect Future Unread: John Cayley's "What We Will" (Q2687)
  36. Megan Sapnar's "Car Wash" as a New Media Sonnet (Q2686)
  37. RAW (Reading and Writing) New Media (Q2685)
  38. Kenneth Goldsmith (Q2684)
  39. Internet Art (Q2683)
  40. Third Hand Plays: “Bodies of Water” by David Clark (Q2682)
  41. Third Hand Plays: “Struts” by J. R. Carpenter (Q2681)
  42. Writing with Images: Toward a Semiotics of the Web (Q2680)
  43. eLiterature, analisi critica, strumenti interpretativi, potenzialità e possibilità applicative (Q2679)
  44. European eLiterature Collection (Q2678)
  45. eLiterature: la letteratura nell’era digitale. Definizione, concetto e statuto. (Q2677)
  46. Intervista con Filippo Rosso: “eLiterature e Hypertext Fiction" (Q2676)
  47. Intervista con Caterina Davinio: “eLiterature, ePoetry e correlazioni” (Q2675)
  48. Interview with Dan Waber: “Digital Writing and Writing 3D" (Q2674)
  49. Interview with Andy Campbell: “Digital Fiction and Interactive Fiction” (Q2673)
  50. Interview with Noah Wardrip-Fruin: “Digital Literature and Correlations” (Q2672)

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