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Showing below up to 50 results in range #8,251 to #8,300.

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  1. Big Brother really is watching you: Literature in mobile dataspace (Q2520)
  2. New Media ArtPoetry: A Textu(r)al Surface (Q2519)
  3. E-literature and the New Social Paradigms (Q2518)
  4. Acoustic and Visual Imagination in Poetry from the Neo_Avantgarde to New Media Poetry in Yugoslav and Post-Yugoslav Poetry (Q2517)
  5. Programmed digital poetry: a poetry of the apparatus; media art? (Q2516)
  6. Reversed Remediation. A Critical Display of the Workings of Media in Art (Q2515)
  7. Code, Interpretation, Avant-garde (Q2514)
  8. Reflections on the iconicity of digital texts (Q2513)
  9. Textmaschinen- Kinetische Poesie- Interaktive Installation: Studien zu einer Hermeneutik digitaler Kunst (Q2512)
  10. Involvement, Interruption, and Inevitability: Melancholy as an Aesthetic Principle in Game Narratives (Q2511)
  11. Navigating the Borders—Edges and Interfaces (Q2510)
  12. Between Page and Screen: Remaking Literature Through Cinema and Cyberspace (Q2509)
  13. Beyond the Book: François Bon and the Digital Transition (Q2508)
  14. E-lit From a Librarian's Perspective (Q2507)
  15. US Library E-Lit Archive Projects (Q2506)
  16. Portuguese E-Lit Archive (Q2505)
  17. Is e-literature just one big anti-climax? (Q2504)
  18. The Institution of the Book: Why Shelley Jackson Doesn't Write Hypertext (Q2503)
  19. Hypertext: The Electronic Labyrinth (Q2502)
  20. Dissonance in Multi-Semiotic Landscapes in the Work Of Donna Leishman (Q2501)
  21. Traveling in the Breakdown Lane: A Principle of Resistance for Hypertext (Q2500)
  22. Gaps, Maps and Perception: What Hypertext Readers (Don't) Do (Q2499)
  23. After the Book? (Q2498)
  24. The Grotesque Corpus (Q2497)
  25. Hypertext: Permeable skin (Q2496)
  26. After the Book: Writing Literature/Writing Technology (Q2495)
  27. Artists' Books in the Digital Age (Q2494)
  28. Third Hand Plays: An Introduction to Electronic Literature (Q2493)
  29. Curveship: An Interactive Fiction System for Interactive Narrating (Q2492)
  30. Line of Inquiry: Many Authors Explore Creative Computing Through a Short Program (Q2491)
  31. Mobilizing the Poli (Q2490)
  32. Dali Clocks: Time Dimensions of Hypermedia (Q2489)
  33. Zeros and Ones: Digital Women and the New Cyberculture (Q2488)
  34. Archivability of Electronic Literature in Context (Q2487)
  35. Beyond the Screen (review) (Q2486)
  36. "Wo ist der Ort des Textes?" - Rainald Goetz' "Abfall für alle" (Q2485)
  37. Kollaborative Schreibweisen - virtuelle Text- und Theorie-Arbeit: Schnittstellen für Interaktionen mit Texten im Netzwerk (Q2484)
  38. Formen interaktiver Medienkunst: Geschichte, Tendenzen, Utopien (Q2483)
  39. Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext (Q2482)
  40. Playable Media and Textual Instruments (Q2481)
  41. Close Reading New Media: Analyzing Electronic Literature (Q2480)
  42. Compte-rendu critique de l'oeuvre "Étang" de Alexandra Saemmer (Q2479)
  43. Aesthetic Animism: Digital Poetry as Ontological Probe (Q2478)
  44. Born Digital: Writing Poetry in the Age of New Media (Q2477)
  45. Creativity Support for Computational Literature (Q2476)
  46. Kinetic Poetry (Q2475)
  47. Digital Literature—In Search of a Discipline ? (Q2474)
  48. Digital Literature—A Question of Style (Q2473)
  49. De la confirmation à la subversion: Les figures d’animation face aux conventions du discours numérique (Q2472)
  50. Lire la littérature numérique à l’université : deux situations pédagogiques (Q2471)

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