Pages not connected to items
This page lists pages with no connected data item (in namespaces that support connected items).
Showing below up to 50 results in range #8,401 to #8,450.
- Memory and Motion: The Body in Electronic Writing (Q2370)
- Epistemology of Disruptions: Thoughts on the Operative Logic of Media Semantics (Q2369)
- RFID: Human Agency and Meaning in Information-Intensive Environments (Q2368)
- The Body in Electronic Literature (Q2367)
- Body Webs: Re/constructing Boundaries in Shelley Jackson’s Patchwork Girl (Q2366)
- Machinic minds and posthuman bodies: the complexities of intimacy in three electronic works by Shelley Jackson (Q2365)
- Avant-Gaming: An Interview with Jane McGonigal (Q2364)
- Behind Façade: An Interview with Andrew Stern and Michael Mateas (Q2363)
- Written on the Body: An Interview with Shelley Jackson (Q2362)
- Editor's Introduction: Reconfiguring Place and Space in New Media Writing (Q2361)
- Reconfiguring Place and Space in New Media Writing (Q2360)
- The Present of the Word: Poetry's Coming Digital Presence (on the occasion of the 20th anniversary of the Poetics Program) (Q2359)
- Experimental Poetry and Technology in Argentina: History, Critique, Politics (Q2358)
- Italian E-poetry: Breaking the Traditions? (Q2357)
- The Poetics of Translating E-Literature (Q2356)
- Revolution and Literal Poetics: Writing to be Found and the Natural Language Liberation Fron (Q2355)
- The End of Time: On Kawara and Kawara Machines (Q2354)
- Codeswitch: the Transborder Immigrant Tool (Q2353)
- The apparatus of digital literature: a stenographic disposition in five minutes or less (Q2352)
- Language, Voice, Sound, Computer (Q2351)
- 10 years of Interpoesia (Q2350)
- On Display: Body-Machine-Poem (Q2349)
- Assembling the Morrow (Q2348)
- Endgames: The Poetics of Silence (Q2347)
- Close-Reading: Digital Poetry (Q2346)
- Electronic Publishing (Q2345)
- The Surface Materiality: Performing Generative Writing (Q2344)
- Bearing the Fruits of E-Poetry: A Personal Decennial View (Q2343)
- PO.EX '70-80: The Electronic Multimodal Repository (Q2342)
- Cross-Referenced E-Lit and Scholarship: The ELMCIP Knowledge Base (Q2341)
- The Archeological Media Lab: A Locavore Approach to Access & Preservation (Q2340)
- What is the Point of Compulit? (Q2339)
- Interactive Drama: Narrativity in a Highly Interactive Environment (Q2338)
- Immersion versus Interactivity: Virtual Reality and Literary Theory (Q2337)
- The Heuristics of Automatic Story Generation (Q2336)
- Poetic Ergodic Capture (Q2335)
- Light & Dust: Polyaesthetic Experiences with Locative Augmented Reality (Q2334)
- Geo-Spatial Aesthetics: Time, Agency and Space in Electronic Writing (Q2333)
- Reading Time: For a Poetics of Hypermedia Writing (Q2332)
- (Re-)Reading Moving Letters: Love Notes, Codes and Digital Curtains: A Review (Q2331)
- Dichtung Digital 40 (Q2330)
- Electronic Literature and the Mashup of Analog and Digital Code (Q2329)
- The Monstrous Book and the Manufactured Body in the Late Age of Print (Q2328)
- Understanding New Media Art Through Close Reading. Four Remarks on Digital Hermeneutics (Q2327)
- Inside Outside the Box: Default Settings and Electronic Poetics (Q2326)
- Performative Reading: Attending The Last Performance [dot org] (Q2325)
- Reading Digital Cultural Objects (Q2324)
- On Locative Narrative (Q2323)
- The Digital Loop: Feedback and Recurrence (Q2322)
- The Code is not the Text (unless it is the Text) (Q2321)