Pages not connected to items
This page lists pages with no connected data item (in namespaces that support connected items).
Showing below up to 50 results in range #8,551 to #8,600.
- The Unsatisfied Reading (Q2220)
- Narrative Motors (Q2219)
- These Waves of Memories: A Hyperfiction by Caitlin Fisher (Q2218)
- Digital Poetics: The Making of E-Poetries (Q2217)
- Scholarly Publishing of Hypertext, the Case of "The Victorian Web" (Q2216)
- False Pretenses, Parasites, and Monsters (Q2215)
- My Mother Was a Computer: Digital Subjects and Literary Texts (Q2214)
- Stitch Bitch: the Patchwork Girl (Q2213)
- Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis (Q2212)
- "Of Dolls and Monsters": An Interview with Shelley Jackson (Q2211)
- Reveal Codes: Hypertext and Performance (Q2210)
- The Program Era: Postwar Fiction and the Rise of Creative Writing (Q2209)
- E-Lit Works as 'Forms-of-Culture': Envisioning Digital Literary Subjectivity (Q2208)
- Understanding Digital Humanities: The Computational Turn and New Technology (Q2207)
- Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl (Q2206)
- A Quick Buzz around the Universe of Electronic Poetry (Q2205)
- From Lexias to Remediation: Theories of Hypertext Authorship in the 1990s (Q2204)
- Don't Believe the Hype: Rereading Michael Joyce's Afternoon and Twelve Blue (Q2203)
- A Response to Twelve Blue by Michael Joyce (Q2202)
- Intermediation: The Pursuit of a Vision (Q2201)
- Reading Digital Literature: Surface, Data, Interaction, and Expressive Processing (Q2200)
- Review of A Companion to Digital Literary Studies (Q2199)
- A Companion to Digital Literary Studies (Q2198)
- Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades (Q2197)
- Is Life Like a Book or a Smart Phone? Why Form in Fiction Matters (Q2196)
- Rencontre: An Experimental Tool for Digital Literature (Q2195)
- Aesthetic Autonomy and Sensuous Appearing: Two Questions in the Aesthetics of Digital Poetry (Q2194)
- Workplace is Mediaspace is Cityscape: Nick Montfort on Book and Volume (Q2193)
- Scripting Writing and Reading in Jim Andrews's Digital Poems (Q2192)
- The Routledge Companion to Literature and Science (Q2191)
- E-literature (Q2190)
- Principles of Spatialization in Text and Hypertext (Q2189)
- Against Digital Poetics (Q2188)
- E-Poetry Triangulated (Q2187)
- Typing the Dancing Signifier: Jim Andrews' (Vis)Poetics (Q2186)
- Literature from Page to Interface: The Treatments of Text in Christophe Bruno's Iterature (Q2185)
- Escaping the Prison House of Language: New Media Essays in the Electronic Literature Collection, Volume 2 (Q2184)
- Dovetailing Details Fly Apart — All Over, Again, in Code, in Poetry, in Chreods (Q2183)
- Do You Think You're Part of This? Digital Texts and the Second Person Address (Q2182)
- Twisty Little Passages: An Approach to Interactive Fiction (Q2181)
- Destination Unknown: Experiments in the Network Novel (Q2180)
- Flukten fra språkfengselet (Q2179)
- All Tomorrow's Parties (Q2178)
- New Philosophy for New Media (Q2177)
- What's on your mind? Status Updates, Friend Suggestions And Data Mining (Q2176)
- Cybertekst: Metodologia i interpretacja (Q2175)
- Personal Narratives, Corporate Templates (Q2174)
- Between Place and Interface: Designing Situated Sound for the iPhone (Q2173)
- What is Electronic Writing? (Q2172)
- The Definition of Hypertext and its History as a Concept (Q2171)