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Showing below up to 50 results in range #8,651 to #8,700.

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  1. Reading the Discursive Spaces of Text Rain, Transmodally (Q2120)
  2. Strickland and Lawson Jarmillo's slippingglimpse: Distributed Cognition at/in Work (Q2119)
  3. List(en)ing Post (Q2118)
  4. What is and Toward What End Do We Read Digital Literature? (Q2117)
  5. Introduction: Juncture and Form in New Media Criticism (Q2116)
  6. Literary Art in Digital Performance: Case Studies in New Media Art and Criticism (Q2115)
  7. E-Formes 1 : Ecritures visuelles sur support numérique (Q2114)
  8. Matières textuelles sur support numérique (Q2113)
  9. Littérature numérique: le récit interactif (Q2112)
  10. Intertextuality in Digital Poetry (Q2111)
  11. Some stylistic devices on media interface (Q2110)
  12. Teaching Digital Literature within a “Research and Teaching Partnership” in a Transatlantic Blended Learning Environment (Q2109)
  13. Hypertext and bigos: On esthetic categories of modern and post-modern Polish fiction that may help us describe electronic literature in yet another way (Q2108)
  14. New Media Literary: Hypertextual, Cybertextual, and Networked (Q2107)
  15. Polish Way to E-Literature from Baroque to 21st Century (Q2106)
  16. Bridging Intertextuality and Intermediality from a Cultural and Literary Perspective (Q2105)
  17. Junction of Image, Text, and Sound in Net.fictions (Q2104)
  18. Electronic Literature Without a Map (Q2103)
  19. E-poetry: the Palpable Side of Signs (Q2102)
  20. The Aesthetics of Materiality in Electronic Literature (Q2101)
  21. Toward an Ontology of the Field of Digital Poetry (Q2100)
  22. Semantisation, Exploration, Self-reflection and Absorption: Our Modes of Reading Hypertext Fiction (Q2099)
  23. Choice vs. Interaction: the Case of Online Caroline (Q2098)
  24. How I Was Played by Online Caroline (Q2097)
  25. First Person: New Media as Story, Performance and Game (Q2096)
  26. The End of Books (Q2095)
  27. Writing at the Edge (Q2094)
  28. Hamlet on the Holodeck: The Future of Narrative in Cyberspace (Q2093)
  29. Patterns of Hypertext (Q2092)
  30. Reading Moving Letters: Digital Literature in Research and Teaching (Q2091)
  31. Holopoetry, Biopoetry and Digital Literature: Close Reading and Terminological Debates (Q2090)
  32. Orality Writing Vision (Q2089)
  33. From Mimetic to Cybernetic (Q2088)
  34. Editorial Process and the Idea of Genre in Electronic Literature in the Electronic Literature Collection, Volume 1 (Q2087)
  35. Toward a Semiotic Critique of Computer Poetry (Q2086)
  36. Digital Media (Q2085)
  37. Teaching Narrative Theory (Q2084)
  38. Hypertext Fiction in the Twilight Zone (Q2083)
  39. Text as Virtual Reality (Techno-Aesthetics and Web-Literatures) (Q2082)
  40. The Experience of the Unique in Reading Digital Literature (Q2081)
  41. The ELMCIP Knowledge Base and the Formation of an International Field of Literary Scholarship and Practice (Q2080)
  42. The Aesthetics of Net Literature: Writing, Reading and Playing in Programmable Media (Q2079)
  43. Biopoetry (Q2078)
  44. Translating Digital Literature. The Example of “I’m simply saying” (Q2077)
  45. Aspects of Experiencing Poetry in Digital Media (Q2076)
  46. E-Literature vs. E-poetry (Q2075)
  47. Variability and Intermediality as Challenges to Preservation Issues: Reflections about the Design and Implementation of Digital Archives (Q2074)
  48. Filiations and History of Digital Literature in France (Q2073)
  49. About Some Programmed Forms in Digital Poetry (Q2072)
  50. The Textual Whole and its Vicissitudes in Digital and Ergodic Literature (Q2071)

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